The Flintstones
1994 · 91 min · Director: Brian Levant
Show plot summary (may contain spoilers)
The Flintstones and the Rubbles are modern stone-age families. Fred and Barney work at Slate and Company, mining rock. Fred gives Barney some money so he and Betty can adopt a baby. When Fred and Barney take a test to determine who should become the new associate vice president, Barney returns the favor by switching his test answers for Fred's, whose answers aren't very good. Fred gets the executive position, but little does he know that he's being manipulated by his boss to be the fall guy for an embezzlement scheme.
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Emotional fingerprint
The Flintstones (1994) — Movie. Top emotional signals: Humor 32%, Nostalgia 22%, Empathy 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor32%
- Nostalgia22%
- Empathy18%
- Anxiety15%
- Satisfaction13%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Nostalgia, Empathy. Genres: Comedy, Fantasy, Family. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Nostalgia and Empathy. Its IMDb rating of 5.1/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 54/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Joy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Relief
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Joy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 57 % | 57 % | 10 % | 35 % |
| 7.5 % | ≈ 7′ | Humor | 59 % | 57 % | 11 % | 39 % |
| 12.5 % | ≈ 11′ | Humor | 61 % | 58 % | 15 % | 48 % |
| 17.5 % | ≈ 16′ | Humor | 59 % | 55 % | 19 % | 44 % |
| 22.5 % | ≈ 20′ | Humor | 53 % | 51 % | 24 % | 29 % |
| 27.5 % | ≈ 25′ | Humor | 54 % | 54 % | 26 % | 24 % |
| 32.5 % | ≈ 30′ | Humor | 57 % | 54 % | 29 % | 24 % |
| 37.5 % | ≈ 34′ | Tension | 55 % | 44 % | 39 % | 20 % |
| 42.5 % | ≈ 39′ | Sadness | 51 % | 38 % | 41 % | 14 % |
| 47.5 % | ≈ 43′ | Humor | 50 % | 41 % | 36 % | 13 % |
| 52.5 % | ≈ 48′ | Humor | 49 % | 45 % | 34 % | 18 % |
| 57.5 % | ≈ 52′ | Humor | 52 % | 38 % | 39 % | 15 % |
| 62.5 % | ≈ 57′ | Sadness | 63 % | 28 % | 51 % | 9 % |
| 67.5 % | ≈ 61′ | Sadness | 65 % | 30 % | 58 % | 9 % |
| 72.5 % | ≈ 66′ | Tension | 65 % | 39 % | 61 % | 9 % |
| 77.5 % | ≈ 71′ | Tension | 73 % | 39 % | 70 % | 6 % |
| 82.5 % | ≈ 75′ | Tension | 78 % | 36 % | 71 % | 15 % |
| 87.5 % | ≈ 80′ | Relief | 74 % | 43 % | 49 % | 40 % |
| 92.5 % | ≈ 84′ | Joy | 61 % | 44 % | 16 % | 50 % |
| 97.5 % | ≈ 89′ | Humor | 48 % | 38 % | 2 % | 40 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Pebbles
Pebbles
Bamm-Bamm
Bamm-Bamm
Mrs. Feldspar
Stewardess
Details
- Directed by
- Brian Levant
- Written by
- Steven E. de Souza, Tom S. Parker, Jim Jennewein, Michael J. Wilson
- Type
- Movies
- Released
- 1994
- Runtime
- 91 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





