Getting Even with Dad
1994 · 109 min · Director: Howard Deutch
Show plot summary (may contain spoilers)
Ray, an ex-con and widower, is planning a coin heist with two accomplices to help him to buy his own bakery. However, he doesn't expect his son Timmy, who was living with Ray's sister, to show up at the house right in the middle of planning. Timmy is ignored and Ray and his buddies pull off the heist. Timmy gets his father's attention by stealing the coins and hiding them. To get them back, his father must take him to a number of different places and treat him like he enjoys his presence. They grow fond of each other but Timmy won't stay with his dad unless he gives up the coins.
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Emotional fingerprint
Getting Even with Dad (1994) — Movie. Top emotional signals: Humor 35%, Empathy 25%, Joy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Empathy25%
- Joy20%
- Excitement10%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Empathy, Joy. Genres: Comedy, Crime, Family. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Empathy and Joy. Its IMDb rating of 4.9/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 56/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Relief
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sympathy
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Relief | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 45 % | 42 % | 0 % | 2 % |
| 7.5 % | ≈ 8′ | Humor | 49 % | 43 % | 0 % | 5 % |
| 12.5 % | ≈ 14′ | Sympathy | 53 % | 36 % | 8 % | 6 % |
| 17.5 % | ≈ 19′ | Tension | 54 % | 33 % | 20 % | 5 % |
| 22.5 % | ≈ 25′ | Relief | 51 % | 36 % | 19 % | 9 % |
| 27.5 % | ≈ 30′ | Humor | 54 % | 48 % | 8 % | 13 % |
| 32.5 % | ≈ 35′ | Humor | 56 % | 54 % | 3 % | 14 % |
| 37.5 % | ≈ 41′ | Humor | 51 % | 48 % | 4 % | 16 % |
| 42.5 % | ≈ 46′ | Humor | 49 % | 45 % | 5 % | 16 % |
| 47.5 % | ≈ 52′ | Humor | 54 % | 50 % | 5 % | 19 % |
| 52.5 % | ≈ 57′ | Humor | 58 % | 51 % | 11 % | 24 % |
| 57.5 % | ≈ 63′ | Humor | 59 % | 49 % | 19 % | 28 % |
| 62.5 % | ≈ 68′ | Sympathy | 60 % | 49 % | 15 % | 34 % |
| 67.5 % | ≈ 74′ | Humor | 61 % | 48 % | 10 % | 41 % |
| 72.5 % | ≈ 79′ | Sympathy | 61 % | 36 % | 9 % | 43 % |
| 77.5 % | ≈ 84′ | Tension | 60 % | 25 % | 6 % | 35 % |
| 82.5 % | ≈ 90′ | Sympathy | 65 % | 25 % | 19 % | 40 % |
| 87.5 % | ≈ 95′ | Relief | 73 % | 35 % | 49 % | 54 % |
| 92.5 % | ≈ 101′ | Relief | 73 % | 49 % | 61 % | 55 % |
| 97.5 % | ≈ 106′ | Humor | 68 % | 57 % | 53 % | 53 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Chapman
Guard
Guard
Armored Car Driver
Secretary at Elevator
TV Reporter
Docent
Little League Coach
Details
- Directed by
- Howard Deutch
- Written by
- Tom S. Parker, Jim Jennewein
- Type
- Movies
- Released
- 1994
- Runtime
- 109 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Free
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





