Getting Any?
1994 · 108 min · Director: Takeshi Kitano
Show plot summary (may contain spoilers)
A slapstick comedy, about a goofy middle-aged man who is obsessed with the idea of having car sex. While pursuing his 'dream', he makes all the wrong moves possible, and ends up enrolling in a number of crazy escapades.
Emotional fingerprint
Getting Any? (1994) — Movie. Top emotional signals: Humor 40%, Smile 20%, Surprise 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor40%
- Smile20%
- Surprise15%
- Excitement15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Smile, Surprise. Genres: Comedy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Smile and Surprise. Its IMDb rating of 6.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 63/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Curiosity
- Disgust
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Curiosity | Disgust |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 72 % | 72 % | 30 % | 18 % |
| 7.5 % | ≈ 8′ | Humor | 71 % | 71 % | 31 % | 20 % |
| 12.5 % | ≈ 14′ | Humor | 69 % | 69 % | 34 % | 14 % |
| 17.5 % | ≈ 19′ | Humor | 70 % | 69 % | 32 % | 5 % |
| 22.5 % | ≈ 24′ | Humor | 70 % | 68 % | 29 % | 4 % |
| 27.5 % | ≈ 30′ | Humor | 68 % | 66 % | 28 % | 5 % |
| 32.5 % | ≈ 35′ | Humor | 70 % | 70 % | 26 % | 6 % |
| 37.5 % | ≈ 41′ | Humor | 73 % | 69 % | 28 % | 10 % |
| 42.5 % | ≈ 46′ | Humor | 71 % | 64 % | 34 % | 13 % |
| 47.5 % | ≈ 51′ | Humor | 70 % | 66 % | 38 % | 10 % |
| 52.5 % | ≈ 57′ | Humor | 71 % | 70 % | 33 % | 10 % |
| 57.5 % | ≈ 62′ | Humor | 71 % | 65 % | 26 % | 19 % |
| 62.5 % | ≈ 68′ | Humor | 70 % | 60 % | 26 % | 21 % |
| 67.5 % | ≈ 73′ | Humor | 72 % | 66 % | 29 % | 14 % |
| 72.5 % | ≈ 78′ | Humor | 76 % | 75 % | 35 % | 14 % |
| 77.5 % | ≈ 84′ | Humor | 74 % | 73 % | 40 % | 21 % |
| 82.5 % | ≈ 89′ | Humor | 70 % | 66 % | 40 % | 29 % |
| 87.5 % | ≈ 95′ | Humor | 71 % | 68 % | 40 % | 35 % |
| 92.5 % | ≈ 100′ | Humor | 71 % | 68 % | 34 % | 39 % |
| 97.5 % | ≈ 105′ | Humor | 70 % | 63 % | 25 % | 40 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Getting Any?. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Asao's Mother
Asao's Mother
Doctor
Pilot
Head Yakuza 1
Head Yakuza 2
Man at Bus Stop
Car Dealership Manager
Russian Actor
Boss
Salaryman's Wife
Details
- Directed by
- Takeshi Kitano
- Written by
- Takeshi Kitano
- Type
- Movies
- Released
- 1994
- Runtime
- 108 min
- Country
- Japan
- Genres
- Comedy
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
