Nadja
1994 · 93 min · Director: Michael Almereyda
Show plot summary (may contain spoilers)
This ultra-hip, post-modern vampire tale is set in contemporary New York City. Members of a dysfunctional family of vampires are trying to come to terms with each other, in the wake of their father's death. Meanwhile, they are being hunted by Dr. Van Helsing and his hapless nephew. As in all good vampire movies, forces of love are pitted against forces of destruction.
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Emotional fingerprint
Nadja (1994) — Movie. Top emotional signals: Fear 30%, Awe 20%, Melancholy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Fear30%
- Awe20%
- Melancholy20%
- Love15%
- Tension15%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Fear, Awe, Melancholy. Genres: Drama, Horror. AI estimate.
Is it worth watching?
Consider this title if you are looking for Fear, Awe and Melancholy. Its IMDb rating of 6.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 61/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Melancholy
- Tension
- Disturbing
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Melancholy
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Disturbing
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Melancholy | Tension | Disturbing |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Melancholy | 43 % | 35 % | 15 % | 12 % |
| 7.5 % | ≈ 7′ | Humor | 47 % | 33 % | 26 % | 23 % |
| 12.5 % | ≈ 12′ | Melancholy | 50 % | 40 % | 33 % | 29 % |
| 17.5 % | ≈ 16′ | Melancholy | 54 % | 49 % | 30 % | 33 % |
| 22.5 % | ≈ 21′ | Melancholy | 52 % | 42 % | 24 % | 30 % |
| 27.5 % | ≈ 26′ | Love | 48 % | 26 % | 24 % | 23 % |
| 32.5 % | ≈ 30′ | Disturbing | 51 % | 20 % | 37 % | 32 % |
| 37.5 % | ≈ 35′ | Humor | 51 % | 26 % | 40 % | 31 % |
| 42.5 % | ≈ 40′ | Melancholy | 45 % | 36 % | 30 % | 23 % |
| 47.5 % | ≈ 44′ | Melancholy | 45 % | 39 % | 31 % | 29 % |
| 52.5 % | ≈ 49′ | Melancholy | 46 % | 37 % | 35 % | 34 % |
| 57.5 % | ≈ 53′ | Melancholy | 50 % | 33 % | 41 % | 36 % |
| 62.5 % | ≈ 58′ | Tension | 55 % | 25 % | 49 % | 43 % |
| 67.5 % | ≈ 63′ | Tension | 53 % | 19 % | 47 % | 41 % |
| 72.5 % | ≈ 67′ | Humor | 47 % | 23 % | 40 % | 33 % |
| 77.5 % | ≈ 72′ | Melancholy | 52 % | 35 % | 44 % | 37 % |
| 82.5 % | ≈ 77′ | Tension | 62 % | 44 % | 57 % | 47 % |
| 87.5 % | ≈ 81′ | Tension | 66 % | 43 % | 56 % | 52 % |
| 92.5 % | ≈ 86′ | Disturbing | 60 % | 41 % | 36 % | 46 % |
| 97.5 % | ≈ 91′ | Melancholy | 50 % | 39 % | 20 % | 31 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
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Details
- Directed by
- Michael Almereyda
- Written by
- Michael Almereyda, Bram Stoker
- Type
- Movies
- Released
- 1994
- Runtime
- 93 min
- Country
- United States
- Ratings
- Feels mostly
- Fear
- Data updated
Where to watch
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