Les anges gardiens
1995 · 110 min · Director: Jean-Marie Poiré
Show plot summary (may contain spoilers)
Gerard Depardieu plays a sleazy Paris nightclub owner and ex-detective who flies to Hong Kong to rescue the young son of a friend murdered by the Chinese mob. He leaves the boy in the hands of an earnest priest (Christian Clavier), who escorts him back to Paris. Soon Clavier and Depardieu are fighting it out, each shadowed by his good or evil guardian angel.
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Emotional fingerprint
Les anges gardiens (1995) — Movie. Top emotional signals: Humor 35%, Joy 25%, Surprise 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Joy25%
- Surprise15%
- Excitement15%
- Empathy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Joy, Surprise. Genres: Comedy, Crime, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Joy and Surprise. Its IMDb rating of 5.9/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 61/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Surprise
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Sympathy
Dominant emotion: Humor
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Surprise |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 57 % | 30 % | 50 % | 17 % |
| 7.5 % | ≈ 8′ | Sympathy | 55 % | 34 % | 41 % | 24 % |
| 12.5 % | ≈ 14′ | Sympathy | 55 % | 41 % | 40 % | 28 % |
| 17.5 % | ≈ 19′ | Humor | 55 % | 49 % | 35 % | 20 % |
| 22.5 % | ≈ 25′ | Humor | 57 % | 55 % | 29 % | 20 % |
| 27.5 % | ≈ 30′ | Humor | 57 % | 55 % | 33 % | 24 % |
| 32.5 % | ≈ 36′ | Humor | 55 % | 54 % | 30 % | 19 % |
| 37.5 % | ≈ 41′ | Humor | 56 % | 53 % | 31 % | 19 % |
| 42.5 % | ≈ 47′ | Tension | 60 % | 51 % | 39 % | 34 % |
| 47.5 % | ≈ 52′ | Humor | 66 % | 60 % | 35 % | 48 % |
| 52.5 % | ≈ 58′ | Humor | 68 % | 65 % | 35 % | 43 % |
| 57.5 % | ≈ 63′ | Humor | 66 % | 61 % | 49 % | 35 % |
| 62.5 % | ≈ 69′ | Humor | 69 % | 60 % | 60 % | 36 % |
| 67.5 % | ≈ 74′ | Humor | 64 % | 56 % | 53 % | 31 % |
| 72.5 % | ≈ 80′ | Humor | 60 % | 50 % | 46 % | 24 % |
| 77.5 % | ≈ 85′ | Tension | 64 % | 49 % | 49 % | 21 % |
| 82.5 % | ≈ 91′ | Humor | 63 % | 54 % | 39 % | 23 % |
| 87.5 % | ≈ 96′ | Humor | 64 % | 56 % | 41 % | 29 % |
| 92.5 % | ≈ 102′ | Tension | 70 % | 56 % | 44 % | 26 % |
| 97.5 % | ≈ 107′ | Joy | 73 % | 60 % | 25 % | 18 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Cast
Bao
Tchouk Tchouk Nougat (une danseuse)
Maryse
Luna
Lily Wang
Yasmina
Johnny
Mère Angelina
Details
- Directed by
- Jean-Marie Poiré
- Written by
- Jean-Marie Poiré, Christian Clavier
- Type
- Movies
- Released
- 1995
- Runtime
- 110 min
- Country
- France
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





