An Awfully Big Adventure
1995 · 113 min · Director: Mike Newell
Show plot summary (may contain spoilers)
Set right after World War II, a naive teenage girl joins a shabby theatre troupe in Liverpool. During a winter production of Peter Pan, the play quickly turns into a dark metaphor for youth as she becomes drawn into a web of sexual politics and intrigue.
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Emotional fingerprint
An Awfully Big Adventure (1995) — Movie. Top emotional signals: Sadness 30%, Empathy 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness30%
- Empathy25%
- Anxiety20%
- Curiosity15%
- Disturbing10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Empathy, Anxiety. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Empathy and Anxiety. Its IMDb rating of 5.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 61/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Disturbing
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Humor
Dominant emotion: Disturbing
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Disturbing | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Sadness | 58 % | 52 % | 27 % | 30 % |
| 7.5 % | ≈ 8′ | Sadness | 50 % | 36 % | 20 % | 23 % |
| 12.5 % | ≈ 14′ | Humor | 46 % | 23 % | 21 % | 21 % |
| 17.5 % | ≈ 20′ | Disturbing | 45 % | 21 % | 29 % | 29 % |
| 22.5 % | ≈ 25′ | Humor | 40 % | 23 % | 25 % | 30 % |
| 27.5 % | ≈ 31′ | Humor | 40 % | 24 % | 25 % | 29 % |
| 32.5 % | ≈ 37′ | Disturbing | 44 % | 29 % | 30 % | 31 % |
| 37.5 % | ≈ 42′ | Sadness | 45 % | 35 % | 26 % | 31 % |
| 42.5 % | ≈ 48′ | Sadness | 44 % | 33 % | 19 % | 27 % |
| 47.5 % | ≈ 54′ | Curiosity | 44 % | 26 % | 14 % | 25 % |
| 52.5 % | ≈ 59′ | Curiosity | 44 % | 26 % | 14 % | 26 % |
| 57.5 % | ≈ 65′ | Humor | 45 % | 25 % | 25 % | 31 % |
| 62.5 % | ≈ 71′ | Disturbing | 55 % | 24 % | 46 % | 40 % |
| 67.5 % | ≈ 76′ | Disturbing | 63 % | 34 % | 53 % | 41 % |
| 72.5 % | ≈ 82′ | Sadness | 58 % | 43 % | 36 % | 35 % |
| 77.5 % | ≈ 88′ | Sadness | 56 % | 41 % | 34 % | 41 % |
| 82.5 % | ≈ 93′ | Disturbing | 68 % | 46 % | 55 % | 56 % |
| 87.5 % | ≈ 99′ | Disturbing | 71 % | 50 % | 61 % | 60 % |
| 92.5 % | ≈ 105′ | Tension | 70 % | 53 % | 59 % | 54 % |
| 97.5 % | ≈ 110′ | Sadness | 77 % | 63 % | 68 % | 48 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
St.Ives
Dotty Blundell
Dawn Allenby
Mary Deare
Babs Osbourne
Reporter
Details
- Directed by
- Mike Newell
- Written by
- Beryl Bainbridge, Charles Wood
- Type
- Movies
- Released
- 1995
- Runtime
- 113 min
- Country
- United Kingdom
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





