Bye Bye Love
1995 · 106 min · Director: Sam Weisman
Show plot summary (may contain spoilers)
This is a story about the breakup of the family. In particular, it focuses on the lifestyle of three divorced men. The film is presented from their perspective and it reveals their relationship with their children, ex-wives, girl friends, male friendships, and their identities as divorced men. In addition to dealing with divorce, the film touches on spousal loss and young adult homelessness. The film can be considered a social commentary that is both comical and emotional.
Emotional fingerprint
Bye Bye Love (1995) — Movie. Top emotional signals: Humor 30%, Empathy 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Empathy25%
- Sadness20%
- Love15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Empathy, Sadness. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Empathy and Sadness. Its IMDb rating of 6.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Empathy
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Empathy | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 37 % | 33 % | 22 % | 23 % |
| 7.5 % | ≈ 8′ | Humor | 41 % | 40 % | 23 % | 19 % |
| 12.5 % | ≈ 13′ | Humor | 46 % | 45 % | 26 % | 19 % |
| 17.5 % | ≈ 19′ | Humor | 44 % | 40 % | 33 % | 25 % |
| 22.5 % | ≈ 24′ | Humor | 40 % | 35 % | 33 % | 24 % |
| 27.5 % | ≈ 29′ | Humor | 43 % | 36 % | 32 % | 23 % |
| 32.5 % | ≈ 34′ | Humor | 45 % | 39 % | 35 % | 24 % |
| 37.5 % | ≈ 40′ | Humor | 44 % | 36 % | 34 % | 21 % |
| 42.5 % | ≈ 45′ | Love | 43 % | 31 % | 33 % | 23 % |
| 47.5 % | ≈ 50′ | Humor | 46 % | 39 % | 29 % | 23 % |
| 52.5 % | ≈ 56′ | Humor | 54 % | 53 % | 23 % | 15 % |
| 57.5 % | ≈ 61′ | Humor | 57 % | 57 % | 24 % | 13 % |
| 62.5 % | ≈ 66′ | Humor | 56 % | 54 % | 29 % | 18 % |
| 67.5 % | ≈ 72′ | Humor | 56 % | 45 % | 34 % | 25 % |
| 72.5 % | ≈ 77′ | Tension | 59 % | 35 % | 45 % | 39 % |
| 77.5 % | ≈ 82′ | Sadness | 65 % | 28 % | 60 % | 54 % |
| 82.5 % | ≈ 87′ | Empathy | 71 % | 29 % | 69 % | 60 % |
| 87.5 % | ≈ 93′ | Empathy | 68 % | 34 % | 64 % | 50 % |
| 92.5 % | ≈ 98′ | Love | 59 % | 25 % | 46 % | 38 % |
| 97.5 % | ≈ 103′ | Love | 53 % | 10 % | 28 % | 37 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Bye Bye Love. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Details
- Directed by
- Sam Weisman
- Written by
- Gary David Goldberg, Brad Hall, Brad Hall
- Type
- Movies
- Released
- 1995
- Runtime
- 106 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
