Jack & Sarah
1995 · 110 min · Director: Tim Sullivan
Show plot summary (may contain spoilers)
Jack (Richard E. Grant) always lands on his feet. He lands on his feet when he marries the beautiful Sarah (Imogen Stubbs). He lands on his feet when he buys a luxurious new house. However, when Sarah goes into labor, he takes a tumble down the stairs and lands on his head. When he comes around, he discovers he is the proud father of a baby girl, but deficient in the spouse department to the tune of one. He hires the help of a novice nanny, but at the end of the day, it's Jack who's left holding the baby.
Emotional fingerprint
Jack & Sarah (1995) — Movie. Top emotional signals: Empathy 30%, Sadness 25%, Humor 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Sadness, Humor. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Sadness and Humor. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Empathy
- Love
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion: Empathy
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Love | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 50 % | 15 % | 25 % | 0 % |
| 7.5 % | ≈ 8′ | Humor | 57 % | 29 % | 31 % | 19 % |
| 12.5 % | ≈ 14′ | Sadness | 71 % | 56 % | 31 % | 56 % |
| 17.5 % | ≈ 19′ | Sadness | 75 % | 69 % | 24 % | 73 % |
| 22.5 % | ≈ 25′ | Sadness | 68 % | 63 % | 29 % | 57 % |
| 27.5 % | ≈ 30′ | Love | 60 % | 56 % | 43 % | 40 % |
| 32.5 % | ≈ 36′ | Empathy | 57 % | 56 % | 40 % | 38 % |
| 37.5 % | ≈ 41′ | Empathy | 56 % | 54 % | 28 % | 39 % |
| 42.5 % | ≈ 47′ | Humor | 55 % | 44 % | 23 % | 30 % |
| 47.5 % | ≈ 52′ | Humor | 54 % | 34 % | 24 % | 16 % |
| 52.5 % | ≈ 58′ | Humor | 51 % | 32 % | 23 % | 13 % |
| 57.5 % | ≈ 63′ | Humor | 53 % | 41 % | 21 % | 18 % |
| 62.5 % | ≈ 69′ | Empathy | 59 % | 53 % | 30 % | 30 % |
| 67.5 % | ≈ 74′ | Sadness | 70 % | 65 % | 43 % | 56 % |
| 72.5 % | ≈ 80′ | Sadness | 74 % | 66 % | 46 % | 63 % |
| 77.5 % | ≈ 85′ | Love | 65 % | 52 % | 39 % | 40 % |
| 82.5 % | ≈ 91′ | Tension | 66 % | 54 % | 38 % | 39 % |
| 87.5 % | ≈ 96′ | Empathy | 75 % | 59 % | 56 % | 41 % |
| 92.5 % | ≈ 102′ | Love | 78 % | 50 % | 73 % | 23 % |
| 97.5 % | ≈ 107′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Jack & Sarah. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Michael
Nathaniel
Susan
Landlord
Health Visitor
Rob
Office Boy
Delivery Man
Details
- Directed by
- Tim Sullivan
- Written by
- Tim Sullivan
- Type
- Movies
- Released
- 1995
- Runtime
- 110 min
- Country
- United Kingdom, France
- Ratings
- Feels mostly
- Empathy
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
