Leaving Las Vegas
1995 · 111 min · Director: Mike Figgis
Show plot summary (may contain spoilers)
Because his wife left him and took his son with her, screenwriter Ben Sanderson has started drinking, a lot. He's getting more and more isolated and he troubles women in bars because he wants to have sex with them. When he gets fired, he decides to leave everything behind and move to Las Vegas and drink himself to death. In Las Vegas he meets Sera, a prostitute with some problems as well who he moves in with.
Emotional fingerprint
Leaving Las Vegas (1995) — Movie. Top emotional signals: Sadness 35%, Empathy 25%, Love 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness35%
- Empathy25%
- Love15%
- Melancholy15%
- Guilt10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Empathy, Love. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Empathy and Love. Its IMDb rating of 7.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Disturbing
Dominant emotion: Empathy
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Not enough subtitle evidence | 36 % | 13 % | 15 % | 8 % |
| 7.5 % | ≈ 8′ | Sadness | 40 % | 28 % | 26 % | 7 % |
| 12.5 % | ≈ 14′ | Sadness | 45 % | 35 % | 36 % | 6 % |
| 17.5 % | ≈ 19′ | Disturbing | 60 % | 43 % | 50 % | 3 % |
| 22.5 % | ≈ 25′ | Disturbing | 69 % | 50 % | 59 % | 4 % |
| 27.5 % | ≈ 31′ | Sadness | 61 % | 49 % | 54 % | 13 % |
| 32.5 % | ≈ 36′ | Sadness | 54 % | 44 % | 49 % | 21 % |
| 37.5 % | ≈ 42′ | Empathy | 52 % | 39 % | 48 % | 30 % |
| 42.5 % | ≈ 47′ | Sadness | 58 % | 41 % | 53 % | 43 % |
| 47.5 % | ≈ 53′ | Love | 62 % | 40 % | 56 % | 53 % |
| 52.5 % | ≈ 58′ | Love | 60 % | 34 % | 51 % | 51 % |
| 57.5 % | ≈ 64′ | Tension | 61 % | 33 % | 48 % | 48 % |
| 62.5 % | ≈ 69′ | Love | 57 % | 29 % | 45 % | 48 % |
| 67.5 % | ≈ 75′ | Love | 54 % | 25 % | 40 % | 45 % |
| 72.5 % | ≈ 80′ | Tension | 61 % | 36 % | 46 % | 41 % |
| 77.5 % | ≈ 86′ | Sadness | 72 % | 55 % | 61 % | 31 % |
| 82.5 % | ≈ 92′ | Disturbing | 78 % | 64 % | 69 % | 13 % |
| 87.5 % | ≈ 97′ | Sadness | 81 % | 69 % | 74 % | 21 % |
| 92.5 % | ≈ 103′ | Love | 84 % | 75 % | 78 % | 57 % |
| 97.5 % | ≈ 108′ | Sadness | 85 % | 78 % | 77 % | 75 % |
Oedipus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Leaving Las Vegas. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Sheila
Man At Bar
Hispanic Prostitute
Business Colleague
Mobster 2
Details
- Directed by
- Mike Figgis
- Written by
- Mike Figgis, John O'Brien
- Type
- Movies
- Released
- 1995
- Runtime
- 111 min
- Country
- United States
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Subscription
Free
Rent
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