Beaumarchais the Scoundrel
1996 · 100 min · Director: Édouard Molinaro
Show plot summary (may contain spoilers)
The true life story of Pierre-Augustin Caron de Beaumarchais, the son of a clockmaker, who writes "The Barber of Seville", works as a secret agent for the French king, runs guns to the American revolutionaries, and along the way finds himself on a collision course with the Chevalier d'Eon, France's notorious cross-dressing superspy.
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Emotional fingerprint
Beaumarchais the Scoundrel (1996) — Movie. Top emotional signals: Humor 30%, Excitement 25%, Surprise 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Excitement25%
- Surprise20%
- Curiosity15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Excitement, Surprise. Genres: Comedy, Romance, History. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Excitement and Surprise. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Satisfaction
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Satisfaction
Dominant emotion: Curiosity
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Satisfaction | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 40 % | 35 % | 10 % | 33 % |
| 7.5 % | ≈ 8′ | Humor | 41 % | 32 % | 13 % | 32 % |
| 12.5 % | ≈ 13′ | Tension | 45 % | 31 % | 13 % | 31 % |
| 17.5 % | ≈ 18′ | Humor | 51 % | 31 % | 14 % | 29 % |
| 22.5 % | ≈ 23′ | Tension | 59 % | 30 % | 24 % | 31 % |
| 27.5 % | ≈ 28′ | Satisfaction | 60 % | 34 % | 35 % | 34 % |
| 32.5 % | ≈ 33′ | Humor | 55 % | 39 % | 28 % | 36 % |
| 37.5 % | ≈ 38′ | Curiosity | 53 % | 38 % | 15 % | 46 % |
| 42.5 % | ≈ 43′ | Curiosity | 53 % | 35 % | 14 % | 51 % |
| 47.5 % | ≈ 48′ | Curiosity | 54 % | 36 % | 14 % | 49 % |
| 52.5 % | ≈ 53′ | Tension | 53 % | 31 % | 10 % | 41 % |
| 57.5 % | ≈ 58′ | Tension | 48 % | 25 % | 16 % | 31 % |
| 62.5 % | ≈ 63′ | Satisfaction | 48 % | 26 % | 24 % | 30 % |
| 67.5 % | ≈ 68′ | Tension | 49 % | 25 % | 14 % | 30 % |
| 72.5 % | ≈ 73′ | Tension | 46 % | 25 % | 10 % | 25 % |
| 77.5 % | ≈ 78′ | Love | 50 % | 36 % | 19 % | 25 % |
| 82.5 % | ≈ 83′ | Humor | 56 % | 49 % | 23 % | 28 % |
| 87.5 % | ≈ 88′ | Humor | 55 % | 48 % | 29 % | 25 % |
| 92.5 % | ≈ 93′ | Satisfaction | 54 % | 39 % | 43 % | 23 % |
| 97.5 % | ≈ 98′ | Satisfaction | 57 % | 35 % | 52 % | 23 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Gudin
Lison-Chérubin
Details
- Directed by
- Édouard Molinaro
- Written by
- Édouard Molinaro, Sacha Guitry, Jean-Claude Brisville
- Type
- Movies
- Released
- 1996
- Runtime
- 100 min
- Country
- France
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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