Emma
1996 · 121 min · Director: Douglas McGrath, Douglas McGrath
Show plot summary (may contain spoilers)
Emma Woodhouse is a congenial young lady who delights in meddling in other people's affairs. She is perpetually trying to unite men and women who are utterly wrong for each other. Despite her interest in romance, Emma is clueless about her own feelings, and her relationship with gentle Mr. Knightly.
Emotional fingerprint
Emma (1996) — Movie. Top emotional signals: Humor 30%, Love 25%, Anticipation 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Love25%
- Anticipation20%
- Confusion15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Love, Anticipation. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Love and Anticipation. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Joy
- Sympathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sympathy
Dominant emotion: Love
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Joy | Sympathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 30 % | 10 % | 17 % | 17 % |
| 7.5 % | ≈ 9′ | Humor | 30 % | 10 % | 16 % | 14 % |
| 12.5 % | ≈ 15′ | Humor | 34 % | 11 % | 14 % | 16 % |
| 17.5 % | ≈ 21′ | Tension | 41 % | 11 % | 11 % | 23 % |
| 22.5 % | ≈ 27′ | Tension | 41 % | 9 % | 9 % | 23 % |
| 27.5 % | ≈ 33′ | Humor | 40 % | 9 % | 9 % | 20 % |
| 32.5 % | ≈ 39′ | Tension | 48 % | 11 % | 9 % | 29 % |
| 37.5 % | ≈ 45′ | Sympathy | 49 % | 14 % | 10 % | 36 % |
| 42.5 % | ≈ 51′ | Humor | 41 % | 16 % | 15 % | 24 % |
| 47.5 % | ≈ 57′ | Love | 36 % | 20 % | 15 % | 11 % |
| 52.5 % | ≈ 64′ | Love | 36 % | 20 % | 11 % | 13 % |
| 57.5 % | ≈ 70′ | Humor | 39 % | 14 % | 10 % | 20 % |
| 62.5 % | ≈ 76′ | Sympathy | 43 % | 15 % | 14 % | 30 % |
| 67.5 % | ≈ 82′ | Sympathy | 46 % | 21 % | 16 % | 36 % |
| 72.5 % | ≈ 88′ | Sympathy | 50 % | 19 % | 11 % | 43 % |
| 77.5 % | ≈ 94′ | Sympathy | 57 % | 21 % | 8 % | 49 % |
| 82.5 % | ≈ 100′ | Tension | 63 % | 36 % | 6 % | 48 % |
| 87.5 % | ≈ 106′ | Love | 68 % | 55 % | 21 % | 39 % |
| 92.5 % | ≈ 112′ | Love | 77 % | 69 % | 55 % | 25 % |
| 97.5 % | ≈ 118′ | Joy | 82 % | 70 % | 73 % | 17 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Miss Bates
Mr. Woodhouse
Mr. Robert Martin
John Knightley
Isabella
Miss Martin
Mrs. Cole
Details
- Directed by
- Douglas McGrath, Douglas McGrath
- Written by
- Douglas McGrath, Jane Austen, Douglas McGrath
- Type
- Movies
- Released
- 1996
- Runtime
- 121 min
- Country
- United Kingdom, United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Subscription
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
