Larger Than Life
1996 · 93 min · Director: Howard Franklin, Howard Franklin
Show plot summary (may contain spoilers)
Motivational Speaker Jack Corcoran is determined to get his career off the ground, but the biggest gigs he can get are the ones nobody wants. Then one day, he receives a telegram that his circus clown father has passed away, and has left a "huge" inheritance. When he gets there, he finds that it has come in the form of a elephant that was his father's pride and joy in circus acts. His main intention is to sell it off. He must choose between loud and rude zookeeper Mo or attractive animal show owner Terry. As they trek through the country he and the elephant develop a bond, and it changes his approach on life for the better.
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Emotional fingerprint
Larger Than Life (1996) — Movie. Top emotional signals: Humor 30%, Empathy 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Empathy25%
- Love20%
- Excitement15%
- Inspiration10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Empathy, Love. Genres: Comedy, Family. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Empathy and Love. Its IMDb rating of 5.7/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 59/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Empathy
- Relief
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Relief
Dominant emotion: Empathy
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Empathy | Relief |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 38 % | 37 % | 12 % | 0 % |
| 7.5 % | ≈ 7′ | Humor | 41 % | 38 % | 16 % | 0 % |
| 12.5 % | ≈ 12′ | Humor | 49 % | 45 % | 21 % | 0 % |
| 17.5 % | ≈ 16′ | Humor | 48 % | 46 % | 19 % | 0 % |
| 22.5 % | ≈ 21′ | Humor | 40 % | 40 % | 14 % | 0 % |
| 27.5 % | ≈ 26′ | Humor | 41 % | 41 % | 15 % | 4 % |
| 32.5 % | ≈ 30′ | Humor | 48 % | 46 % | 23 % | 10 % |
| 37.5 % | ≈ 35′ | Humor | 50 % | 48 % | 27 % | 9 % |
| 42.5 % | ≈ 40′ | Humor | 51 % | 50 % | 21 % | 5 % |
| 47.5 % | ≈ 44′ | Humor | 53 % | 53 % | 14 % | 8 % |
| 52.5 % | ≈ 49′ | Humor | 50 % | 50 % | 13 % | 10 % |
| 57.5 % | ≈ 53′ | Humor | 48 % | 46 % | 18 % | 10 % |
| 62.5 % | ≈ 58′ | Humor | 50 % | 46 % | 30 % | 11 % |
| 67.5 % | ≈ 63′ | Humor | 54 % | 48 % | 35 % | 14 % |
| 72.5 % | ≈ 67′ | Humor | 56 % | 40 % | 35 % | 21 % |
| 77.5 % | ≈ 72′ | Relief | 54 % | 28 % | 40 % | 26 % |
| 82.5 % | ≈ 77′ | Empathy | 51 % | 29 % | 38 % | 15 % |
| 87.5 % | ≈ 81′ | Tension | 60 % | 38 % | 40 % | 18 % |
| 92.5 % | ≈ 86′ | Relief | 68 % | 38 % | 53 % | 40 % |
| 97.5 % | ≈ 91′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Celeste
Man in Audience
Receptionist
Makeup Person
Details
- Directed by
- Howard Franklin, Howard Franklin
- Written by
- Pen Densham, Roy Blount Jr., Garry Williams
- Type
- Movies
- Released
- 1996
- Runtime
- 93 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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Feels similar
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