The Rock
1996 · 137 min · Director: Michael Bay
Show plot summary (may contain spoilers)
Stanley Goodspeed, who lives in Washington, D.C., is a biochemist who works for the F.B.I. Soon after his fiancée Carla Pestalozzi announces that she is pregnant, Stanley gets a call from F.B.I. Director James Womack. Womack tells Stanley that San Francisco's Alcatraz Island has been taken hostage, along with eighty-one tourists, by Marine General Francis Xavier Hummel who, for years, has been protesting the government's refusal to pay benefits to families of war veterans who died during covert military operations. The death of his wife Barbara on March 9, 1995 drove General Hummel over the edge, and now he's holding hostages in order to get his point across. Stanley is needed because General Hummel has stolen some VX gas warheads and has announced that he will launch them onto San Francisco unless his demands are met. Stanley knows how to disarm the bombs, but he needs someone who knows Alcatraz well enough to get him inside. That man is former British Intelligence Agent John Patrick Mason, who has been in prison for the past thirty years without a trial because he was accused of stealing the private files of J. Edgar Hoover. In 1962, John became the only inmate ever to escape from Alcatraz, and he stayed out of Alcatraz long enough to father a daughter named Jade Angelou. Despite his extreme hatred of the F.B.I., John agrees to help Stanley. When John and Stanley are sent into Alcatraz with a Navy S.E.A.L. team, General Hummel's men kill the entire S.E.A.L. team, leaving Stanley and John to work on their own to rescue the hostages.
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Emotional fingerprint
The Rock (1996) — Movie. Top emotional signals: Excitement 35%, Tension 25%, Fear 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement35%
- Tension25%
- Fear20%
- Humor10%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Tension, Fear. Genres: Thriller, Adventure, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Tension and Fear. Its IMDb rating of 7.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Fear
- Relief
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Fear | Relief |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 68 % | 63 % | 37 % | 3 % |
| 7.5 % | ≈ 10′ | Tension | 68 % | 64 % | 41 % | 5 % |
| 12.5 % | ≈ 17′ | Tension | 70 % | 69 % | 49 % | 3 % |
| 17.5 % | ≈ 24′ | Tension | 65 % | 63 % | 43 % | 1 % |
| 22.5 % | ≈ 31′ | Humor | 50 % | 41 % | 21 % | 4 % |
| 27.5 % | ≈ 38′ | Humor | 53 % | 41 % | 20 % | 4 % |
| 32.5 % | ≈ 45′ | Tension | 63 % | 53 % | 31 % | 4 % |
| 37.5 % | ≈ 51′ | Sadness | 58 % | 49 % | 29 % | 6 % |
| 42.5 % | ≈ 58′ | Tension | 57 % | 54 % | 29 % | 6 % |
| 47.5 % | ≈ 65′ | Tension | 70 % | 69 % | 41 % | 4 % |
| 52.5 % | ≈ 72′ | Tension | 76 % | 74 % | 50 % | 3 % |
| 57.5 % | ≈ 79′ | Tension | 71 % | 70 % | 46 % | 4 % |
| 62.5 % | ≈ 86′ | Tension | 73 % | 71 % | 50 % | 10 % |
| 67.5 % | ≈ 92′ | Tension | 75 % | 71 % | 53 % | 15 % |
| 72.5 % | ≈ 99′ | Tension | 74 % | 70 % | 49 % | 13 % |
| 77.5 % | ≈ 106′ | Tension | 80 % | 79 % | 56 % | 18 % |
| 82.5 % | ≈ 113′ | Tension | 86 % | 86 % | 64 % | 24 % |
| 87.5 % | ≈ 120′ | Tension | 88 % | 86 % | 65 % | 33 % |
| 92.5 % | ≈ 127′ | Relief | 76 % | 66 % | 48 % | 44 % |
| 97.5 % | ≈ 134′ | Humor | 58 % | 37 % | 20 % | 35 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Carla Pestalozzi
Private Scarpetti
Stacy Richards
Details
- Directed by
- Michael Bay
- Written by
- Jonathan Hensleigh, David Weisberg, Douglas Cook, Mark Rosner, Douglas S. Cook
- Type
- Movies
- Released
- 1996
- Runtime
- 137 min
- Country
- United States
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
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Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





