Sgt. Bilko
1996 · 90 min · Director: Jonathan Lynn
Show plot summary (may contain spoilers)
Sgt. Bilko is in charge of the Motor Pool at an Army base. He's also a good-natured con man, providing gambling facilities for the soldiers on base. When an old enemy from his past shows up to inspect his records and steal away his fianceé, Sgt. Bilko has to put his skills to creative use...
Emotional fingerprint
Sgt. Bilko (1996) — Movie. Top emotional signals: Humor 45%, Smile 20%, Joy 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor45%
- Smile20%
- Joy15%
- Surprise10%
- Excitement10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Smile, Joy. Genres: Comedy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Smile and Joy. Its IMDb rating of 5.9/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 61/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Joy
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Joy | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 52 % | 51 % | 18 % | 16 % |
| 7.5 % | ≈ 7′ | Humor | 56 % | 55 % | 22 % | 13 % |
| 12.5 % | ≈ 11′ | Humor | 56 % | 55 % | 19 % | 13 % |
| 17.5 % | ≈ 16′ | Humor | 55 % | 52 % | 13 % | 17 % |
| 22.5 % | ≈ 20′ | Humor | 56 % | 54 % | 14 % | 17 % |
| 27.5 % | ≈ 25′ | Humor | 58 % | 55 % | 14 % | 20 % |
| 32.5 % | ≈ 29′ | Humor | 55 % | 50 % | 12 % | 29 % |
| 37.5 % | ≈ 34′ | Humor | 52 % | 48 % | 12 % | 31 % |
| 42.5 % | ≈ 38′ | Humor | 54 % | 49 % | 9 % | 33 % |
| 47.5 % | ≈ 43′ | Humor | 55 % | 47 % | 7 % | 34 % |
| 52.5 % | ≈ 47′ | Humor | 57 % | 52 % | 12 % | 29 % |
| 57.5 % | ≈ 52′ | Humor | 57 % | 54 % | 14 % | 28 % |
| 62.5 % | ≈ 56′ | Humor | 53 % | 49 % | 14 % | 31 % |
| 67.5 % | ≈ 61′ | Humor | 50 % | 45 % | 14 % | 32 % |
| 72.5 % | ≈ 65′ | Humor | 54 % | 49 % | 12 % | 35 % |
| 77.5 % | ≈ 70′ | Humor | 58 % | 51 % | 9 % | 39 % |
| 82.5 % | ≈ 74′ | Humor | 59 % | 44 % | 7 % | 45 % |
| 87.5 % | ≈ 79′ | Tension | 62 % | 41 % | 20 % | 47 % |
| 92.5 % | ≈ 83′ | Relief | 68 % | 53 % | 44 % | 33 % |
| 97.5 % | ≈ 88′ | Humor | 70 % | 61 % | 55 % | 17 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Tony Morales
Sam Fender
Lieutenant Monday
Master Sergeant Sowicki
Details
- Directed by
- Jonathan Lynn
- Written by
- Andy Breckman, Nat Hiken
- Type
- Movies
- Released
- 1996
- Runtime
- 90 min
- Country
- United States
- Genres
- Comedy
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
