Striptease
1996 · 115 min · Director: Andrew Bergman
Show plot summary (may contain spoilers)
Erin Grant loses care and custody of her daughter when she's divorced from her husband Darrell, a small-time thief. Struggling for money, she is a dancer at a nightclub, where one night Congressman Dilbeck (in disguise) attacks another member of the audience. A spectator, who recognizes Dilbeck and is fond of Erin, offers to get back her daughter by blackmailing Dilbeck. Things do not work out as planned, though.
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Emotional fingerprint
Striptease (1996) — Movie. Top emotional signals: Humor 30%, Anxiety 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Anxiety, Empathy. Genres: Comedy, Drama, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Anxiety and Empathy. Its IMDb rating of 4.6/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 54/100.
How did it make you feel?
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Emotional journey
- Tension
- Humor
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sympathy
Dominant emotion: Humor
Dominant emotion: Curiosity
Dominant emotion: Relief
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Humor | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Sympathy | 45 % | 32 % | 27 % | 25 % |
| 7.5 % | ≈ 9′ | Humor | 44 % | 30 % | 33 % | 24 % |
| 12.5 % | ≈ 14′ | Humor | 43 % | 27 % | 36 % | 20 % |
| 17.5 % | ≈ 20′ | Humor | 44 % | 25 % | 36 % | 24 % |
| 22.5 % | ≈ 26′ | Curiosity | 45 % | 29 % | 34 % | 38 % |
| 27.5 % | ≈ 32′ | Curiosity | 46 % | 34 % | 34 % | 46 % |
| 32.5 % | ≈ 37′ | Curiosity | 50 % | 36 % | 30 % | 45 % |
| 37.5 % | ≈ 43′ | Sympathy | 53 % | 31 % | 23 % | 36 % |
| 42.5 % | ≈ 49′ | Relief | 50 % | 25 % | 25 % | 31 % |
| 47.5 % | ≈ 55′ | Humor | 48 % | 26 % | 38 % | 31 % |
| 52.5 % | ≈ 60′ | Humor | 53 % | 35 % | 44 % | 26 % |
| 57.5 % | ≈ 66′ | Tension | 56 % | 45 % | 35 % | 24 % |
| 62.5 % | ≈ 72′ | Sympathy | 51 % | 43 % | 29 % | 28 % |
| 67.5 % | ≈ 78′ | Humor | 51 % | 45 % | 33 % | 34 % |
| 72.5 % | ≈ 83′ | Tension | 56 % | 55 % | 31 % | 41 % |
| 77.5 % | ≈ 89′ | Tension | 59 % | 58 % | 28 % | 45 % |
| 82.5 % | ≈ 95′ | Tension | 63 % | 60 % | 29 % | 44 % |
| 87.5 % | ≈ 101′ | Tension | 65 % | 64 % | 32 % | 45 % |
| 92.5 % | ≈ 106′ | Tension | 65 % | 56 % | 38 % | 41 % |
| 97.5 % | ≈ 112′ | Relief | 65 % | 42 % | 40 % | 30 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
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Cast
Orly
Urbanna Sprawl
Lorelei
Ariel Sharon
Tiffany
Details
- Directed by
- Andrew Bergman
- Written by
- Andrew Bergman, Carl Hiaasen
- Type
- Movies
- Released
- 1996
- Runtime
- 115 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
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