feeldb

The House of Yes

1997 · 85 min · Director: Mark Waters ★ IMDb 6.6 · 9,424 ratings

Show plot summary (may contain spoilers)

'Jackie-O' is anxiously awaiting the visit of her brother home for Thanksgiving, but isn't expecting him to bring a friend. She's even more shocked to learn that this friend is his fiancée. It soon becomes clear that 'Jackie-O's obsession is nothing compared to her obsession with her brother, as it also becomes clear she isn't the only member of the family with problems...

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Emotional fingerprint

The House of Yes (1997) — Movie. Top emotional signals: Disturbing 30%, Anxiety 25%, Confusion 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Humor15%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Disturbing, Anxiety, Confusion. Genres: Thriller, Comedy, Drama. AI estimate.

Is it worth watching?

Consider this title if you are looking for Disturbing, Anxiety and Confusion. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Disturbing
  • Tension
  • Humor

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Curiosity

Dominant emotion: Humor

Dominant emotion: Disturbing

Dominant emotion: Tension

Disturbing
Tension
Humor
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then rises around 57 %, then peaks around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityDisturbingTensionHumor
2.5 %≈ 2′Curiosity48 %28 %20 %42 %
7.5 %≈ 6′Humor49 %25 %29 %44 %
12.5 %≈ 11′Curiosity53 %30 %40 %46 %
17.5 %≈ 15′Humor53 %32 %45 %46 %
22.5 %≈ 19′Humor53 %35 %46 %46 %
27.5 %≈ 23′Humor56 %40 %49 %49 %
32.5 %≈ 28′Humor55 %36 %49 %49 %
37.5 %≈ 32′Humor50 %30 %43 %46 %
42.5 %≈ 36′Humor53 %35 %40 %45 %
47.5 %≈ 40′Disturbing59 %45 %46 %45 %
52.5 %≈ 45′Humor59 %46 %49 %43 %
57.5 %≈ 49′Disturbing68 %57 %57 %38 %
62.5 %≈ 53′Tension79 %73 %68 %31 %
67.5 %≈ 57′Disturbing78 %71 %65 %29 %
72.5 %≈ 62′Tension75 %65 %66 %36 %
77.5 %≈ 66′Tension76 %61 %71 %46 %
82.5 %≈ 70′Tension78 %57 %73 %44 %
87.5 %≈ 74′Tension80 %61 %75 %36 %
92.5 %≈ 79′Tension88 %78 %77 %32 %
97.5 %≈ 83′Disturbing93 %90 %75 %25 %
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

TS
Tori Spelling

TS
Tori Spelling

Lesly

Geneviève Bujold

Mrs. Pascal

Rachael Leigh Cook

Young Jackie-O

DL
David Love

Young Marty (voice)

Details

Directed by
Mark Waters
Written by
Mark Waters, Wendy MacLeod
Type
Movies
Released
1997
Runtime
85 min
Country
United States
Ratings
★ IMDb 6.6 · 9,424 ratings
Feels mostly
Disturbing
Data updated

Where to watch

Also on

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Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.