Love Is the Devil: Study for a Portrait of Francis Bacon
1998 · 92 min · Director: John Maybury
Show plot summary (may contain spoilers)
In the 1960s, British painter Francis Bacon (1909-1992) surprises a burglar and invites him to share his bed. The burglar, a working class man named George Dyer, thirty years younger than Bacon, accepts. Bacon finds Dyer's amorality and innocence attractive, introducing him to his Soho pals. In their sex life, Dyer dominates, Bacon is the masochist. Dyer's bouts with depression, his drinking, pill popping, and his Satanic nightmares strain the relationship, as does his pain with Bacon's casual infidelities. Bacon paints, talks with wit, and, as Dyer spins out of control, begins to find him tiresome. Could Bacon care less?
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Emotional fingerprint
Love Is the Devil: Study for a Portrait of Francis Bacon (1998) — Movie. Top emotional signals: Melancholy 30%, Disturbing 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy30%
- Disturbing25%
- Empathy20%
- Love15%
- Anxiety10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Disturbing, Empathy. Genres: Drama, Romance, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Disturbing and Empathy. Its IMDb rating of 6.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Humor
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Disturbing
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Humor | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 7.5 % | ≈ 7′ | Humor | 45 % | 7 % | 43 % | 18 % |
| 12.5 % | ≈ 12′ | Love | 49 % | 9 % | 46 % | 18 % |
| 17.5 % | ≈ 16′ | Humor | 54 % | 11 % | 51 % | 23 % |
| 22.5 % | ≈ 21′ | Humor | 50 % | 11 % | 46 % | 25 % |
| 27.5 % | ≈ 25′ | Humor | 44 % | 13 % | 32 % | 24 % |
| 32.5 % | ≈ 30′ | Tension | 49 % | 29 % | 19 % | 34 % |
| 37.5 % | ≈ 35′ | Sadness | 60 % | 44 % | 15 % | 41 % |
| 42.5 % | ≈ 39′ | Disturbing | 64 % | 40 % | 20 % | 43 % |
| 47.5 % | ≈ 44′ | Tension | 61 % | 39 % | 25 % | 49 % |
| 52.5 % | ≈ 48′ | Sadness | 61 % | 48 % | 27 % | 49 % |
| 57.5 % | ≈ 53′ | Sadness | 60 % | 51 % | 23 % | 44 % |
| 62.5 % | ≈ 58′ | Sadness | 55 % | 46 % | 18 % | 45 % |
| 67.5 % | ≈ 62′ | Sadness | 57 % | 49 % | 16 % | 49 % |
| 72.5 % | ≈ 67′ | Sadness | 68 % | 63 % | 13 % | 48 % |
| 77.5 % | ≈ 71′ | Sadness | 73 % | 69 % | 11 % | 44 % |
| 82.5 % | ≈ 76′ | Sadness | 73 % | 66 % | 11 % | 45 % |
| 87.5 % | ≈ 81′ | Sadness | 75 % | 70 % | 10 % | 40 % |
| 92.5 % | ≈ 85′ | Sadness | 73 % | 61 % | 9 % | 20 % |
| 97.5 % | ≈ 90′ | Love | 63 % | 37 % | 5 % | 5 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Henrietta Moreas
Parisian Art World
PC Denham
Blonde Billy
French Official
Ian Board
Volker Dix
Brighton Rent Boys
Brighton Rent Boys
London Rent Boy
Bell-Hop
Details
- Directed by
- John Maybury
- Written by
- John Maybury, Don Jordan
- Type
- Movies
- Released
- 1998
- Runtime
- 92 min
- Country
- United Kingdom, France, Japan, United States
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
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Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





