The Saint
1997 · 116 min · Director: Phillip Noyce
Show plot summary (may contain spoilers)
Simon Templar has no real family, no real home, and Simon Templar isn't even his real name. Yet, Simon Templar, also known as the Saint for his use of creating false identities using the names of Catholic saints, is one of the world's most successful thieves. Slick, debonair, and a master of disguise, Simon manages to outwit the police again and again. On his next job, he is hired by the Russian Mafia to steal a cold fusion energy formula from scientist Emma Russel. However, the mission backfires as he falls for the pretty, intelligent scientist. Simon and his new love must now manage to outwit the Russian Mafia and work out the energy formula before the worst happens, and the U.S. is affected forever.
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Emotional fingerprint
The Saint (1997) — Movie. Top emotional signals: Excitement 30%, Love 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement30%
- Love25%
- Tension20%
- Humor15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Love, Tension. Genres: Romance, Adventure, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Love and Tension. Its IMDb rating of 6.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Love
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Curiosity
Dominant emotion: Love
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Love | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 47 % | 38 % | 13 % | 35 % |
| 7.5 % | ≈ 9′ | Curiosity | 54 % | 49 % | 5 % | 39 % |
| 12.5 % | ≈ 15′ | Tension | 57 % | 54 % | 1 % | 40 % |
| 17.5 % | ≈ 20′ | Curiosity | 51 % | 44 % | 4 % | 45 % |
| 22.5 % | ≈ 26′ | Curiosity | 51 % | 36 % | 9 % | 54 % |
| 27.5 % | ≈ 32′ | Curiosity | 58 % | 26 % | 28 % | 53 % |
| 32.5 % | ≈ 38′ | Love | 64 % | 20 % | 55 % | 40 % |
| 37.5 % | ≈ 44′ | Love | 66 % | 34 % | 61 % | 34 % |
| 42.5 % | ≈ 49′ | Tension | 65 % | 54 % | 39 % | 38 % |
| 47.5 % | ≈ 55′ | Tension | 66 % | 64 % | 16 % | 39 % |
| 52.5 % | ≈ 61′ | Tension | 69 % | 66 % | 20 % | 35 % |
| 57.5 % | ≈ 67′ | Tension | 74 % | 71 % | 35 % | 29 % |
| 62.5 % | ≈ 73′ | Tension | 80 % | 78 % | 32 % | 24 % |
| 67.5 % | ≈ 78′ | Tension | 81 % | 80 % | 23 % | 28 % |
| 72.5 % | ≈ 84′ | Tension | 74 % | 74 % | 21 % | 38 % |
| 77.5 % | ≈ 90′ | Tension | 69 % | 69 % | 19 % | 44 % |
| 82.5 % | ≈ 96′ | Tension | 75 % | 65 % | 20 % | 41 % |
| 87.5 % | ≈ 102′ | Relief | 78 % | 45 % | 40 % | 34 % |
| 92.5 % | ≈ 107′ | Love | 69 % | 24 % | 46 % | 26 % |
| 97.5 % | ≈ 113′ | Relief | 60 % | 17 % | 27 % | 20 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Frankie
General Sklarov
Russian Prostitute
Scratchface
Young Simon Templar
Agnes
Boy in Orphanage
TV Reporter
Old Russian Lady
Details
- Directed by
- Phillip Noyce
- Written by
- Wesley Strick, Jonathan Hensleigh, Leslie Charteris
- Type
- Movies
- Released
- 1997
- Runtime
- 116 min
- Country
- United States
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
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Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





