She's So Lovely
1997 · 100 min · Director: Nick Cassavetes
Show plot summary (may contain spoilers)
Maureen is pregnant and her husband Eddie is missing. Nervous, Maureen shares a couple of drinks with neighbor Kiefer, who tries to rape her and then beats her. When Eddie returns and finds his wife bruised, he goes ballistic, shoots a paramedic and is put in a psychiatric institution. Ten years later, Eddie is released and finds that Maureen has divorced him and is remarried with three children, one of whom is his little girl Jeanie. Eddie goes to reclaim his wife.
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Emotional fingerprint
She's So Lovely (1997) — Movie. Top emotional signals: Anxiety 30%, Empathy 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Empathy, Sadness. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Empathy and Sadness. Its IMDb rating of 5.9/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 61/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Sadness
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Sadness | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 40 % | 35 % | 12 % | 23 % |
| 7.5 % | ≈ 8′ | Tension | 53 % | 48 % | 24 % | 39 % |
| 12.5 % | ≈ 13′ | Tension | 73 % | 68 % | 41 % | 61 % |
| 17.5 % | ≈ 18′ | Empathy | 69 % | 61 % | 39 % | 61 % |
| 22.5 % | ≈ 23′ | Humor | 53 % | 39 % | 21 % | 41 % |
| 27.5 % | ≈ 28′ | Love | 55 % | 39 % | 16 % | 34 % |
| 32.5 % | ≈ 33′ | Love | 70 % | 59 % | 26 % | 43 % |
| 37.5 % | ≈ 38′ | Tension | 81 % | 76 % | 36 % | 48 % |
| 42.5 % | ≈ 43′ | Tension | 88 % | 76 % | 54 % | 59 % |
| 47.5 % | ≈ 48′ | Sadness | 85 % | 56 % | 71 % | 74 % |
| 52.5 % | ≈ 53′ | Sadness | 76 % | 48 % | 64 % | 69 % |
| 57.5 % | ≈ 58′ | Tension | 69 % | 53 % | 48 % | 55 % |
| 62.5 % | ≈ 63′ | Sadness | 65 % | 51 % | 48 % | 55 % |
| 67.5 % | ≈ 68′ | Empathy | 73 % | 61 % | 55 % | 63 % |
| 72.5 % | ≈ 73′ | Tension | 83 % | 78 % | 54 % | 61 % |
| 77.5 % | ≈ 78′ | Tension | 85 % | 81 % | 55 % | 63 % |
| 82.5 % | ≈ 83′ | Sadness | 88 % | 81 % | 69 % | 74 % |
| 87.5 % | ≈ 88′ | Tension | 85 % | 75 % | 73 % | 71 % |
| 92.5 % | ≈ 93′ | Sadness | 66 % | 46 % | 55 % | 46 % |
| 97.5 % | ≈ 98′ | Love | 48 % | 18 % | 38 % | 25 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
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Cast
Cooper
Jeannie
Avi
Intern #1
Taxi Driver
Security Guard
Details
- Directed by
- Nick Cassavetes
- Written by
- John Cassavetes
- Type
- Movies
- Released
- 1997
- Runtime
- 100 min
- Country
- France, United States
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





