The Life of Jesus
1997 · 96 min · Director: Bruno Dumont
Show plot summary (may contain spoilers)
A social movie about current life in the north of France. Freddy and his friends are all unemployed. They pass away time by wandering around on their motorcycles and by directing their aggressive feelings towards Arab immigrants. Freddy is in love with Marie, a cashier at a local supermarket. When she is proposed to by Kader, a young Arab man, Freddy, and his friends have an idea: they decide to punish Kader for what they call "such a provocation." After they have raped another girl, Marie finally commits to Kader, which seals his fate.
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Emotional fingerprint
The Life of Jesus (1997) — Movie. Top emotional signals: Disturbing 30%, Sadness 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Disturbing30%
- Sadness25%
- Empathy20%
- Tension15%
- Anger10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Disturbing, Sadness, Empathy. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Disturbing, Sadness and Empathy. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sympathy
- Tension
- Disturbing
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sympathy
Dominant emotion: Love
Dominant emotion: Disturbing
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sympathy | Tension | Disturbing |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 7.5 % | ≈ 7′ | Sympathy | 50 % | 45 % | 23 % | 20 % |
| 12.5 % | ≈ 12′ | Sympathy | 44 % | 34 % | 15 % | 15 % |
| 17.5 % | ≈ 17′ | Love | 40 % | 22 % | 10 % | 7 % |
| 22.5 % | ≈ 22′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 27.5 % | ≈ 26′ | Disturbing | 53 % | 22 % | 45 % | 43 % |
| 32.5 % | ≈ 31′ | Tension | 49 % | 26 % | 43 % | 31 % |
| 37.5 % | ≈ 36′ | Tension | 46 % | 29 % | 40 % | 23 % |
| 42.5 % | ≈ 41′ | Not enough subtitle evidence | 40 % | 26 % | 23 % | 15 % |
| 47.5 % | ≈ 46′ | Sadness | 49 % | 38 % | 21 % | 18 % |
| 52.5 % | ≈ 50′ | Tension | 57 % | 39 % | 40 % | 33 % |
| 57.5 % | ≈ 55′ | Tension | 55 % | 31 % | 48 % | 44 % |
| 62.5 % | ≈ 60′ | Disturbing | 51 % | 29 % | 44 % | 43 % |
| 67.5 % | ≈ 65′ | Tension | 55 % | 33 % | 45 % | 46 % |
| 72.5 % | ≈ 70′ | Disturbing | 70 % | 51 % | 51 % | 64 % |
| 77.5 % | ≈ 74′ | Disturbing | 70 % | 53 % | 49 % | 59 % |
| 82.5 % | ≈ 79′ | Tension | 58 % | 35 % | 44 % | 34 % |
| 87.5 % | ≈ 84′ | Love | 61 % | 39 % | 50 % | 36 % |
| 92.5 % | ≈ 89′ | Disturbing | 78 % | 60 % | 67 % | 63 % |
| 97.5 % | ≈ 94′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Gégé
Michou
Robert
Quinquin
La mère de Freddy
René
La mère de Kader
Le père de Kader
Père Gégé
Majorette
Inspecteur
Père majorette
Pierrot
Infirmière
Chef majorettes
Chef Harmonie
Elles-mêmes
Details
- Directed by
- Bruno Dumont
- Written by
- Bruno Dumont
- Type
- Movies
- Released
- 1997
- Runtime
- 96 min
- Country
- France
- Ratings
- Feels mostly
- Disturbing
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





