feeldb

Gods and Monsters

1998 · 105 min · Director: Bill Condon ★ IMDb 7.3 · 34,564 ratings

Show plot summary (may contain spoilers)

1957. Long having retired, James Whale, arguably most famous for directing Frankenstein (1931) and Bride of Frankenstein (1935) among some other 1930s horror classics, has burned his bridges with the Hollywood community in that they have abandoned him, the possible exception being his continuing friendship with former lover David Lewis. James had been openly gay even during his working period and is in declining health. Having been recently released from a hospital where he was recuperating from a stroke, he left with some permanent health issues, the aftermath of the stroke. Much against the disapproval of his loyal longtime housekeeper Hanna, his health does not prevent him from toying with the handsome young men who may wander into his midst in his continuing homosexual desires, although Hanna is as much, if not more concerned about any of those young men taking advantage of him in his elderly and fragile state. The young man who catches his eye among the most recent is Clayton Boone, who Hanna had hired to do garden work around the property. Clay, an ex-marine from the proverbial "wrong side of the tracks", has no idea who James was or is before he starts this job. James and Clay soon begin a friendship of sorts. Clay is also unaware of James' homosexual orientation before such is confirmed by Hanna, an issue which threatens his masculinity, especially in light of the cracks showing in his casual sexual relationship with a slightly older and wiser diner waitress named Betty. Clay has to reconcile that threat against being in the company of someone whom he considers an interesting and once famous man. The friendship and his state of health related to the stroke lead James to reflect in a bittersweet vein on key points of his life, most notably serving in WWI, and as a result reveals his ulterior motives through the actions he takes toward Clay.

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Emotional fingerprint

Gods and Monsters (1998) — Movie. Top emotional signals: Empathy 35%, Melancholy 25%, Nostalgia 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Love10%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Empathy, Melancholy, Nostalgia. Genres: Drama, Biography. AI estimate.

Is it worth watching?

Consider this title if you are looking for Empathy, Melancholy and Nostalgia. Its IMDb rating of 7.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 74/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Sadness
  • Empathy
  • Tension

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Curiosity

Dominant emotion: Tension

Dominant emotion: Humor

Dominant emotion: Empathy

Dominant emotion: Sadness

Sadness
Empathy
Tension
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then peaks around 88 %, then dips around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensitySadnessEmpathyTension
2.5 %≈ 3′Curiosity32 %11 %17 %11 %
7.5 %≈ 8′Curiosity38 %11 %15 %14 %
12.5 %≈ 13′Curiosity48 %13 %23 %28 %
17.5 %≈ 18′Tension53 %18 %34 %38 %
22.5 %≈ 24′Humor49 %20 %35 %26 %
27.5 %≈ 29′Empathy48 %30 %40 %21 %
32.5 %≈ 34′Sadness50 %35 %42 %28 %
37.5 %≈ 39′Humor46 %29 %35 %29 %
42.5 %≈ 45′Sadness43 %25 %33 %29 %
47.5 %≈ 50′Empathy46 %27 %39 %34 %
52.5 %≈ 55′Sadness51 %36 %45 %38 %
57.5 %≈ 60′Sadness57 %45 %51 %44 %
62.5 %≈ 66′Tension57 %37 %43 %43 %
67.5 %≈ 71′Humor52 %21 %29 %35 %
72.5 %≈ 76′Humor54 %28 %33 %40 %
77.5 %≈ 81′Sadness64 %51 %50 %55 %
82.5 %≈ 87′Sadness77 %70 %65 %68 %
87.5 %≈ 92′Sadness86 %80 %75 %74 %
92.5 %≈ 97′Sadness74 %64 %68 %51 %
97.5 %≈ 102′Empathy52 %34 %47 %21 %
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

0 responses so far

Feeling details appear after at least 3 viewers respond, to protect privacy.

Cast

DD
David Dukes

David Lewis

MK
Mark Kiely

Dwight

Jack Plotnick

Edmund Kay

RA
Rosalind Ayres

Elsa Lanchester

JB
Jack Betts

Boris Karloff

MM
Matt McKenzie

Colin Clive

TB
Todd Babcock

Leonard Barnett

CH
Cornelia Hayes O'Herlihy

Princess Margaret

BK
Brandon Kleyla

Young Whale

PS
Pamela Salem

Sarah Whale

MO
Michael O'Hagan

William Whale

DM
David Millbern

Dr. Payne

AA
Amir Aboulela

The Monster

MB
Marlon Braccia

Elizabeth Taylor

JL
Jesse Long

Assistant Director

Details

Directed by
Bill Condon
Written by
Bill Condon, Christopher Bram
Type
Movies
Released
1998
Runtime
105 min
Country
United States, United Kingdom
Ratings
★ IMDb 7.3 · 34,564 ratings
Feels mostly
Empathy
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.