A Perfect Murder
1998 · 107 min · Director: Andrew Davis
Show plot summary (may contain spoilers)
Millionaire industrialist Steven Taylor is a man who has everything but what he craves most: the love and fidelity of his wife. A hugely successful player in the New York financial world, he considers her to be his most treasured acquisition. But she needs more than simply the role of dazzling accessory. Brilliant in her own right, she works at the U.N. and is involved with a struggling artist who fulfills her emotional needs. When her husband discovers her indiscretion, he sets out to commit the perfect murder and inherit her considerable trust fund in the bargain.
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Emotional fingerprint
A Perfect Murder (1998) — Movie. Top emotional signals: Tension 30%, Curiosity 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Curiosity, Anxiety. Genres: Thriller, Drama, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Curiosity and Anxiety. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Emotional journey
- Tension
- Curiosity
- Fear
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Love
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Curiosity | Fear |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Love | 35 % | 12 % | 20 % | 1 % |
| 7.5 % | ≈ 8′ | Curiosity | 37 % | 20 % | 28 % | 2 % |
| 12.5 % | ≈ 13′ | Love | 49 % | 38 % | 39 % | 9 % |
| 17.5 % | ≈ 19′ | Tension | 61 % | 55 % | 48 % | 17 % |
| 22.5 % | ≈ 24′ | Tension | 66 % | 64 % | 48 % | 27 % |
| 27.5 % | ≈ 29′ | Tension | 72 % | 71 % | 43 % | 42 % |
| 32.5 % | ≈ 35′ | Tension | 73 % | 73 % | 36 % | 44 % |
| 37.5 % | ≈ 40′ | Tension | 75 % | 75 % | 35 % | 49 % |
| 42.5 % | ≈ 45′ | Tension | 83 % | 81 % | 44 % | 64 % |
| 47.5 % | ≈ 51′ | Tension | 79 % | 75 % | 53 % | 60 % |
| 52.5 % | ≈ 56′ | Curiosity | 68 % | 63 % | 54 % | 40 % |
| 57.5 % | ≈ 62′ | Tension | 68 % | 64 % | 54 % | 36 % |
| 62.5 % | ≈ 67′ | Tension | 73 % | 70 % | 59 % | 41 % |
| 67.5 % | ≈ 72′ | Curiosity | 72 % | 69 % | 63 % | 36 % |
| 72.5 % | ≈ 78′ | Tension | 73 % | 70 % | 63 % | 35 % |
| 77.5 % | ≈ 83′ | Tension | 73 % | 71 % | 63 % | 36 % |
| 82.5 % | ≈ 88′ | Tension | 77 % | 75 % | 59 % | 46 % |
| 87.5 % | ≈ 94′ | Tension | 83 % | 81 % | 57 % | 59 % |
| 92.5 % | ≈ 99′ | Tension | 84 % | 83 % | 59 % | 61 % |
| 97.5 % | ≈ 104′ | Tension | 87 % | 85 % | 53 % | 70 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
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Cast
Ann Gates
Met Woman #1
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Guest at Met
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Details
- Directed by
- Andrew Davis
- Written by
- Frederick Knott, Patrick Smith Kelly
- Type
- Movies
- Released
- 1998
- Runtime
- 107 min
- Country
- United States
- Ratings
- Feels mostly
- Tension
- Data updated
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