Tea with Mussolini
1999 · 117 min · Director: Franco Zeffirelli
Show plot summary (may contain spoilers)
In 1935 a group of elderly British women, whom the Italians have named the Scorpioni, have chosen Italy, specifically Florence, as a place to live to blend their proper British sensibilities with their love of Italian art and culture. One of those Scorpioni, Mary Walsh (Dame Joan Plowright), works as the English secretary for Paolo Innocente (Massimo Ghini), who, in part because of his own wife's adamant refusal, largely neglects his illegitimate adolescent son, Luca (Baird Wallace), despite Paolo's want for Luca to grow up to be a proper young man, much like the English. Luca has lived in an orphanage since his dressmaker mother's death, death a concept that Luca does not yet understand. As such, he often runs away looking for his mother. On a mutual agreement between Paolo and Mary, Mary becomes Luca's guardian, she who will receive help in raising Luca by her fellow Scorpioni and financial help from Paolo as needed. Associated with the Scorpioni is a brash younger nouveau riche Jewish-American woman named Elsa Morgenthal (Cher), who, because of her affection for Luca's mother to whom she owed money, sets up a trust for Luca's future. Amongst the Scorpioni, Lady Hester Random (Dame Maggie Smith), the widow of the former ambassador to Italy, in particular and Elsa do not get along because of their fundamental outward differences. The life for the Scorpioni changes with the on-set of World War II, more specifically when Italy declares war on Britain and France. Despite all of the Scorpioni taken into custody of sorts by the Italians, they are eventually housed in the comforts of a hotel. Lady Hester wrongly believes it is her association with Mussolini (Claudio Spadaro) that has gotten them into their comfortable surroundings, but which in reality was arranged and paid for by Elsa. Luca, who has just returned to Italy after attending school in Austria, helps Elsa with her efforts to assist those persecuted in Italy. Luca, now a teenager, has fallen in love with Elsa. As such, Luca is jealous of Elsa's professional and personal relationship with Italian lawyer Vittorio Fanfanni (Paolo Seganti). Elsa's own situation becomes more precarious with the United States' entrance into the war, the Nazis' increasing persecution of Jews, and Luca discovering that Fanfanni has ulterior motives in his relationship with Elsa. Through it all, Mary still tries to be the voice of what is right to Luca, who may be tainted by his own immature teenaged thoughts during these difficult times.
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Emotional fingerprint
Tea with Mussolini (1999) — Movie. Top emotional signals: Empathy 30%, Nostalgia 25%, Humor 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Empathy30%
- Nostalgia25%
- Humor20%
- Sadness15%
- Inspiration10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Nostalgia, Humor. Genres: Comedy, Drama, War. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Nostalgia and Humor. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.
How did it make you feel?
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Emotional journey
- Tension
- Empathy
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Empathy | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 38 % | 13 % | 25 % | 22 % |
| 7.5 % | ≈ 9′ | Empathy | 50 % | 19 % | 45 % | 18 % |
| 12.5 % | ≈ 15′ | Empathy | 61 % | 21 % | 60 % | 21 % |
| 17.5 % | ≈ 20′ | Sadness | 65 % | 18 % | 55 % | 39 % |
| 22.5 % | ≈ 26′ | Humor | 59 % | 20 % | 36 % | 50 % |
| 27.5 % | ≈ 32′ | Humor | 50 % | 33 % | 24 % | 43 % |
| 32.5 % | ≈ 38′ | Tension | 53 % | 46 % | 28 % | 31 % |
| 37.5 % | ≈ 44′ | Tension | 59 % | 48 % | 33 % | 34 % |
| 42.5 % | ≈ 50′ | Humor | 61 % | 44 % | 39 % | 39 % |
| 47.5 % | ≈ 56′ | Empathy | 61 % | 50 % | 48 % | 35 % |
| 52.5 % | ≈ 61′ | Humor | 57 % | 53 % | 40 % | 31 % |
| 57.5 % | ≈ 67′ | Tension | 55 % | 50 % | 31 % | 29 % |
| 62.5 % | ≈ 73′ | Humor | 54 % | 50 % | 36 % | 31 % |
| 67.5 % | ≈ 79′ | Tension | 51 % | 49 % | 40 % | 31 % |
| 72.5 % | ≈ 85′ | Empathy | 53 % | 49 % | 39 % | 29 % |
| 77.5 % | ≈ 91′ | Tension | 64 % | 59 % | 43 % | 31 % |
| 82.5 % | ≈ 97′ | Tension | 76 % | 70 % | 57 % | 30 % |
| 87.5 % | ≈ 102′ | Empathy | 80 % | 74 % | 61 % | 29 % |
| 92.5 % | ≈ 108′ | Tension | 76 % | 61 % | 48 % | 39 % |
| 97.5 % | ≈ 114′ | Humor | 70 % | 37 % | 42 % | 52 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Cast
Luca
Luca (Child)
British Consul
Wilfred Random, aka Miss Lucy
Connie Raynor
Maurizio
First Carabiniere
American Dealer
German Officer
Grandi
Details
- Directed by
- Franco Zeffirelli
- Written by
- Franco Zeffirelli, John Mortimer
- Type
- Movies
- Released
- 1999
- Runtime
- 117 min
- Country
- United Kingdom, Italy
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Feels similar
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