Made in Hong Kong
1997 · 109 min · Director: Fruit Chan
Show plot summary (may contain spoilers)
Autumn Moon (Sam Lee), a low-rent triad living in Hong Kong, struggles to find meaning in his hopelessly violent existence.
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Emotional fingerprint
Made in Hong Kong (1997) — Movie. Top emotional signals: Sadness 35%, Empathy 25%, Tension 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness35%
- Empathy25%
- Tension18%
- Melancholy12%
- Inspiration10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Empathy, Tension. Genres: Comedy, Drama, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Empathy and Tension. Its IMDb rating of 7.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Humor
Dominant emotion: Empathy
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 53 % | 17 % | 32 % | 53 % |
| 7.5 % | ≈ 8′ | Tension | 51 % | 23 % | 31 % | 49 % |
| 12.5 % | ≈ 14′ | Sadness | 49 % | 25 % | 31 % | 40 % |
| 17.5 % | ≈ 19′ | Humor | 52 % | 29 % | 36 % | 35 % |
| 22.5 % | ≈ 25′ | Sadness | 61 % | 43 % | 50 % | 40 % |
| 27.5 % | ≈ 30′ | Empathy | 63 % | 41 % | 49 % | 50 % |
| 32.5 % | ≈ 35′ | Tension | 57 % | 31 % | 36 % | 54 % |
| 37.5 % | ≈ 41′ | Tension | 56 % | 36 % | 38 % | 53 % |
| 42.5 % | ≈ 46′ | Tension | 66 % | 46 % | 48 % | 61 % |
| 47.5 % | ≈ 52′ | Tension | 75 % | 50 % | 55 % | 60 % |
| 52.5 % | ≈ 57′ | Love | 70 % | 50 % | 59 % | 40 % |
| 57.5 % | ≈ 63′ | Empathy | 66 % | 48 % | 59 % | 41 % |
| 62.5 % | ≈ 68′ | Tension | 69 % | 40 % | 55 % | 60 % |
| 67.5 % | ≈ 74′ | Tension | 66 % | 31 % | 48 % | 65 % |
| 72.5 % | ≈ 79′ | Tension | 68 % | 41 % | 50 % | 57 % |
| 77.5 % | ≈ 84′ | Sadness | 79 % | 68 % | 66 % | 55 % |
| 82.5 % | ≈ 90′ | Sadness | 84 % | 75 % | 69 % | 65 % |
| 87.5 % | ≈ 95′ | Tension | 85 % | 74 % | 66 % | 61 % |
| 92.5 % | ≈ 101′ | Sadness | 88 % | 82 % | 75 % | 40 % |
| 97.5 % | ≈ 106′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Lam Yuk-Ping
Ah-Lung
Mrs. Lam
Cheung Siu-Wing
Keung
Fat Chan
Hui Bo San
Doctor
Wong Wing-Nam
Details
- Directed by
- Fruit Chan
- Written by
- Fruit Chan
- Type
- Movies
- Released
- 1997
- Runtime
- 109 min
- Country
- Hong Kong
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
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Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





