Gia
1998 · 120 min · Director: Michael Cristofer
Show plot summary (may contain spoilers)
When Gia Carangi first arrives in New York City, she's a beautiful drop-out from Philadelphia brashly bursting through the closed doors of top modeling agent Wilhelmina Cooper. Gia's electrifying personality and potent sexuality soon find their way onto the covers of America's top-selling magazines. But being loved by the world isn't the same as being love by one - an unfulfilled desire that can take Gia dangerous places. And for a beautiful woman, one slip could lead to an untimely and terrifying downfall.
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Emotional fingerprint
Gia (1998) — Movie. Top emotional signals: Sadness 35%, Empathy 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness35%
- Empathy25%
- Love20%
- Anxiety10%
- Disturbing10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Empathy, Love. Genres: Drama, Romance, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Empathy and Love. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion: Hope
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 33 % | 15 % | 23 % | 18 % |
| 7.5 % | ≈ 9′ | Love | 32 % | 10 % | 21 % | 18 % |
| 12.5 % | ≈ 15′ | Hope | 34 % | 8 % | 19 % | 14 % |
| 17.5 % | ≈ 21′ | Love | 35 % | 10 % | 19 % | 19 % |
| 22.5 % | ≈ 27′ | Love | 36 % | 18 % | 24 % | 26 % |
| 27.5 % | ≈ 33′ | Love | 38 % | 20 % | 26 % | 28 % |
| 32.5 % | ≈ 39′ | Love | 41 % | 21 % | 29 % | 26 % |
| 37.5 % | ≈ 45′ | Sadness | 46 % | 26 % | 34 % | 20 % |
| 42.5 % | ≈ 51′ | Hope | 46 % | 26 % | 34 % | 11 % |
| 47.5 % | ≈ 57′ | Tension | 54 % | 34 % | 41 % | 9 % |
| 52.5 % | ≈ 63′ | Tension | 65 % | 44 % | 53 % | 15 % |
| 57.5 % | ≈ 69′ | Empathy | 63 % | 40 % | 50 % | 18 % |
| 62.5 % | ≈ 75′ | Tension | 60 % | 39 % | 45 % | 18 % |
| 67.5 % | ≈ 81′ | Sadness | 65 % | 49 % | 49 % | 28 % |
| 72.5 % | ≈ 87′ | Sadness | 64 % | 51 % | 53 % | 34 % |
| 77.5 % | ≈ 93′ | Empathy | 59 % | 44 % | 53 % | 31 % |
| 82.5 % | ≈ 99′ | Empathy | 64 % | 48 % | 57 % | 27 % |
| 87.5 % | ≈ 105′ | Sadness | 75 % | 64 % | 66 % | 34 % |
| 92.5 % | ≈ 111′ | Sadness | 81 % | 75 % | 72 % | 54 % |
| 97.5 % | ≈ 117′ | Sadness | 83 % | 78 % | 77 % | 65 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
T.J.
Stephanie
Francesco
Emergency Room Nurse
Hispanic Stylist Phillipe
Hood #3
Junkie at Shooting Gallery
Chris Von Wagenheim
Blonde Girl in Philadelphia
German Makeup Artist
Philadelphia Photographer
Details
- Directed by
- Michael Cristofer
- Written by
- Michael Cristofer, Jay McInerney
- Type
- Movies
- Released
- 1998
- Runtime
- 120 min
- Country
- United States
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





