23
1998 · 99 min · Director: Hans-Christian Schmid
Show plot summary (may contain spoilers)
Based on the true story of a group of young computer hackers from Hannover, Germany. In the late 1980s the orphaned Karl Koch invests his inheritance in a flat and a home computer. At first he dials up to bulletin boards to discuss conspiracy theories inspired by his favorite novel, R.A. Wilson's "Illuminatus", but soon he and his friend David start breaking into government and military computers. Pepe, one of Karl's rather criminal acquaintances senses that there is money in computer cracking - he travels to east Berlin and tries to contact the KGB.
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Emotional fingerprint
23 (1998) — Movie. Top emotional signals: Anxiety 30%, Curiosity 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Curiosity, Tension. Genres: Thriller, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Curiosity and Tension. Its IMDb rating of 7.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Sympathy
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Sympathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Sympathy | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Curiosity | 45 % | 32 % | 13 % | 17 % |
| 7.5 % | ≈ 7′ | Sadness | 49 % | 26 % | 23 % | 23 % |
| 12.5 % | ≈ 12′ | Curiosity | 55 % | 21 % | 16 % | 13 % |
| 17.5 % | ≈ 17′ | Curiosity | 56 % | 24 % | 8 % | 3 % |
| 22.5 % | ≈ 22′ | Curiosity | 55 % | 35 % | 10 % | 8 % |
| 27.5 % | ≈ 27′ | Curiosity | 56 % | 48 % | 13 % | 11 % |
| 32.5 % | ≈ 32′ | Tension | 56 % | 51 % | 15 % | 8 % |
| 37.5 % | ≈ 37′ | Tension | 53 % | 48 % | 21 % | 8 % |
| 42.5 % | ≈ 42′ | Tension | 54 % | 50 % | 25 % | 10 % |
| 47.5 % | ≈ 47′ | Tension | 60 % | 57 % | 29 % | 16 % |
| 52.5 % | ≈ 52′ | Tension | 63 % | 60 % | 35 % | 25 % |
| 57.5 % | ≈ 57′ | Tension | 68 % | 61 % | 46 % | 31 % |
| 62.5 % | ≈ 62′ | Sympathy | 75 % | 65 % | 55 % | 35 % |
| 67.5 % | ≈ 67′ | Tension | 77 % | 73 % | 49 % | 30 % |
| 72.5 % | ≈ 72′ | Tension | 79 % | 73 % | 54 % | 35 % |
| 77.5 % | ≈ 77′ | Sympathy | 79 % | 63 % | 71 % | 50 % |
| 82.5 % | ≈ 82′ | Sympathy | 79 % | 65 % | 73 % | 49 % |
| 87.5 % | ≈ 87′ | Tension | 81 % | 74 % | 69 % | 48 % |
| 92.5 % | ≈ 92′ | Sympathy | 84 % | 65 % | 76 % | 66 % |
| 97.5 % | ≈ 97′ | Sadness | 87 % | 52 % | 83 % | 83 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Cast
David
Lupo
Brückner
Beate
Seybert
Alex
Computerverkäufer
Pepes Freundin
Kellner im Zug
Mr. Minit
Sekretärin
Heimleiterin Frau Helldorff
Prostituierte
Prostituierte
Details
- Directed by
- Hans-Christian Schmid
- Written by
- Hans-Christian Schmid, Michael Gutmann, Michael Dierking
- Type
- Movies
- Released
- 1998
- Runtime
- 99 min
- Country
- Germany
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





