Blackjack
1998 · 112 min · Director: John Woo
Show plot summary (may contain spoilers)
After saving Casey, a daughter of his friend, from hired assassins, Jack Devlin is hit with a strange phobia - fear of white color. But when his other friend, who works as a bodyguard for a supermodel, is wounded, Jack decides to step in for him. Now he must confront his fear and the assassin, who seems to be well aware of Jack's problem
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Emotional fingerprint
Blackjack (1998) — Movie. Top emotional signals: Tension 30%, Fear 25%, Excitement 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Tension30%
- Fear25%
- Excitement20%
- Anxiety15%
- Relief10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Fear, Excitement. Genres: Comedy, Crime, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Fear and Excitement. Its IMDb rating of 4.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 56/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Empathy
- Relief
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion: Humor
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Empathy | Relief |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 53 % | 53 % | 23 % | 2 % |
| 7.5 % | ≈ 8′ | Tension | 64 % | 63 % | 30 % | 11 % |
| 12.5 % | ≈ 14′ | Tension | 61 % | 59 % | 28 % | 20 % |
| 17.5 % | ≈ 20′ | Tension | 51 % | 44 % | 31 % | 11 % |
| 22.5 % | ≈ 25′ | Sadness | 53 % | 34 % | 46 % | 4 % |
| 27.5 % | ≈ 31′ | Empathy | 55 % | 36 % | 44 % | 5 % |
| 32.5 % | ≈ 36′ | Tension | 60 % | 54 % | 38 % | 6 % |
| 37.5 % | ≈ 42′ | Tension | 59 % | 58 % | 43 % | 10 % |
| 42.5 % | ≈ 48′ | Empathy | 48 % | 44 % | 38 % | 10 % |
| 47.5 % | ≈ 53′ | Humor | 51 % | 48 % | 25 % | 5 % |
| 52.5 % | ≈ 59′ | Tension | 66 % | 65 % | 23 % | 8 % |
| 57.5 % | ≈ 64′ | Tension | 65 % | 61 % | 31 % | 15 % |
| 62.5 % | ≈ 70′ | Humor | 56 % | 46 % | 44 % | 13 % |
| 67.5 % | ≈ 76′ | Sadness | 61 % | 53 % | 51 % | 6 % |
| 72.5 % | ≈ 81′ | Tension | 70 % | 68 % | 48 % | 4 % |
| 77.5 % | ≈ 87′ | Tension | 75 % | 74 % | 49 % | 4 % |
| 82.5 % | ≈ 92′ | Tension | 75 % | 73 % | 50 % | 9 % |
| 87.5 % | ≈ 98′ | Tension | 74 % | 73 % | 43 % | 15 % |
| 92.5 % | ≈ 104′ | Tension | 76 % | 69 % | 43 % | 31 % |
| 97.5 % | ≈ 109′ | Relief | 75 % | 55 % | 40 % | 53 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Rory Gaines
Casey
Detective Smythe
Kamenev
Policewoman
Harry
Details
- Directed by
- John Woo
- Written by
- Peter Lance
- Type
- Movies
- Released
- 1998
- Runtime
- 112 min
- Country
- Canada, United States
- Ratings
- Feels mostly
- Tension
- Data updated
Where to watch
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Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





