Cinderella
1997 · 88 min · Director: Robert Iscove
Show plot summary (may contain spoilers)
Although mistreated by her cruel stepmother and stepsisters, Cinderella is able to attend the royal ball through the help of a fairy godmother.
Emotional fingerprint
Cinderella (1997) — Movie. Top emotional signals: Happiness 30%, Love 25%, Hope 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Happiness, Love, Hope. Genres: Musical, Fantasy, Family. AI estimate.
Is it worth watching?
Consider this title if you are looking for Happiness, Love and Hope. Its IMDb rating of 6.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Hope
- Love
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Hope
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Hope | Love | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 48 % | 33 % | 32 % | 33 % |
| 7.5 % | ≈ 7′ | Hope | 51 % | 38 % | 34 % | 31 % |
| 12.5 % | ≈ 11′ | Humor | 53 % | 34 % | 23 % | 40 % |
| 17.5 % | ≈ 15′ | Humor | 55 % | 32 % | 11 % | 40 % |
| 22.5 % | ≈ 20′ | Sadness | 56 % | 36 % | 13 % | 29 % |
| 27.5 % | ≈ 24′ | Hope | 55 % | 30 % | 13 % | 36 % |
| 32.5 % | ≈ 29′ | Humor | 57 % | 23 % | 9 % | 45 % |
| 37.5 % | ≈ 33′ | Sadness | 64 % | 40 % | 9 % | 35 % |
| 42.5 % | ≈ 37′ | Hope | 70 % | 65 % | 13 % | 31 % |
| 47.5 % | ≈ 42′ | Hope | 70 % | 63 % | 16 % | 44 % |
| 52.5 % | ≈ 46′ | Humor | 70 % | 49 % | 33 % | 49 % |
| 57.5 % | ≈ 51′ | Love | 71 % | 41 % | 49 % | 44 % |
| 62.5 % | ≈ 55′ | Humor | 71 % | 39 % | 51 % | 44 % |
| 67.5 % | ≈ 59′ | Love | 76 % | 44 % | 65 % | 35 % |
| 72.5 % | ≈ 64′ | Love | 76 % | 41 % | 70 % | 21 % |
| 77.5 % | ≈ 68′ | Sadness | 74 % | 45 % | 61 % | 14 % |
| 82.5 % | ≈ 73′ | Hope | 75 % | 56 % | 49 % | 23 % |
| 87.5 % | ≈ 77′ | Humor | 78 % | 60 % | 40 % | 44 % |
| 92.5 % | ≈ 81′ | Hope | 83 % | 70 % | 53 % | 48 % |
| 97.5 % | ≈ 86′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Oedipus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Cinderella. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Minerva
Dancer (uncredited)
Waitress (uncredited)
Details
- Directed by
- Robert Iscove
- Written by
- Oscar Hammerstein II, Robert L. Freedman, Charles Perrault
- Type
- Movies
- Released
- 1997
- Runtime
- 88 min
- Country
- United States
- Ratings
- Feels mostly
- Happiness
- Data updated
Where to watch
Subscription
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