At First Sight
1999 · 128 min · Director: Irwin Winkler
Show plot summary (may contain spoilers)
First Sight is true to the title from start to finish. Val Kilmer skates in the dark appears FIRST to Mira Sorvino car headlights driving lost searching for her retreat spa motel. Kilmers FIRST visual memory links him coincidently to his last. This is a true love drama with Nathan Lane providing laughs counseling visual therapy. All stars emotional vulnerability teach the audience learning love matters in art, architecture, education, parenting, massage and trees.
Emotional fingerprint
At First Sight (1999) — Movie. Top emotional signals: Love 35%, Empathy 25%, Hope 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Empathy, Hope. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Empathy and Hope. Its IMDb rating of 6.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 63/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Empathy
- Love
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Empathy
Dominant emotion: Love
Dominant emotion: Hope
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Love | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Empathy | 34 % | 31 % | 15 % | 16 % |
| 7.5 % | ≈ 10′ | Love | 38 % | 34 % | 24 % | 13 % |
| 12.5 % | ≈ 16′ | Empathy | 45 % | 41 % | 35 % | 14 % |
| 17.5 % | ≈ 22′ | Love | 48 % | 40 % | 41 % | 17 % |
| 22.5 % | ≈ 29′ | Love | 47 % | 34 % | 42 % | 14 % |
| 27.5 % | ≈ 35′ | Love | 51 % | 38 % | 42 % | 18 % |
| 32.5 % | ≈ 42′ | Hope | 56 % | 43 % | 35 % | 23 % |
| 37.5 % | ≈ 48′ | Hope | 58 % | 41 % | 26 % | 16 % |
| 42.5 % | ≈ 54′ | Hope | 60 % | 43 % | 30 % | 14 % |
| 47.5 % | ≈ 61′ | Love | 59 % | 50 % | 35 % | 23 % |
| 52.5 % | ≈ 67′ | Empathy | 53 % | 49 % | 26 % | 26 % |
| 57.5 % | ≈ 74′ | Hope | 49 % | 44 % | 22 % | 27 % |
| 62.5 % | ≈ 80′ | Sadness | 51 % | 43 % | 25 % | 34 % |
| 67.5 % | ≈ 86′ | Tension | 52 % | 42 % | 32 % | 30 % |
| 72.5 % | ≈ 93′ | Love | 56 % | 46 % | 39 % | 31 % |
| 77.5 % | ≈ 99′ | Sadness | 69 % | 57 % | 36 % | 54 % |
| 82.5 % | ≈ 106′ | Sadness | 75 % | 64 % | 41 % | 68 % |
| 87.5 % | ≈ 112′ | Love | 73 % | 62 % | 53 % | 57 % |
| 92.5 % | ≈ 118′ | Hope | 69 % | 57 % | 55 % | 44 % |
| 97.5 % | ≈ 125′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Betsy Ernst
Singer
Singer (uncredited)
Details
- Directed by
- Irwin Winkler
- Written by
- Oliver Sacks, Steve Levitt
- Type
- Movies
- Released
- 1999
- Runtime
- 128 min
- Country
- United States
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
Subscription
Free
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