Gloomy Sunday
1999 · 112 min · Director: Rolf Schübel
Show plot summary (may contain spoilers)
Budapest in the thirties. The restaurant owner Laszlo hires the pianist András to play in his restaurant. Both men fall in love with the beautiful waitress Ilona who inspires András to his only composition. His song of Gloomy Sunday is, at first, loved and then feared, for its melancholic melody triggers off a chain of suicides. The fragile balance of the erotic ménage à trois is sent off kilter when the German Hans goes and falls in love with Ilona as well.
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Emotional fingerprint
Gloomy Sunday (1999) — Movie. Top emotional signals: Melancholy 35%, Love 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy35%
- Love25%
- Sadness20%
- Awe10%
- Tension10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Love, Sadness. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Love and Sadness. Its IMDb rating of 7.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Tension
- Disturbing
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Disturbing
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Tension | Disturbing |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 52 % | 14 % | 37 % | 23 % |
| 7.5 % | ≈ 8′ | Humor | 51 % | 10 % | 22 % | 9 % |
| 12.5 % | ≈ 14′ | Love | 53 % | 12 % | 19 % | 3 % |
| 17.5 % | ≈ 20′ | Love | 53 % | 25 % | 28 % | 10 % |
| 22.5 % | ≈ 25′ | Love | 50 % | 30 % | 28 % | 11 % |
| 27.5 % | ≈ 31′ | Love | 49 % | 21 % | 24 % | 4 % |
| 32.5 % | ≈ 36′ | Humor | 50 % | 18 % | 26 % | 4 % |
| 37.5 % | ≈ 42′ | Tension | 51 % | 26 % | 35 % | 12 % |
| 42.5 % | ≈ 48′ | Love | 56 % | 40 % | 48 % | 28 % |
| 47.5 % | ≈ 53′ | Tension | 66 % | 48 % | 59 % | 47 % |
| 52.5 % | ≈ 59′ | Disturbing | 64 % | 36 % | 56 % | 51 % |
| 57.5 % | ≈ 64′ | Tension | 60 % | 26 % | 53 % | 50 % |
| 62.5 % | ≈ 70′ | Disturbing | 67 % | 29 % | 60 % | 60 % |
| 67.5 % | ≈ 76′ | Disturbing | 78 % | 43 % | 70 % | 74 % |
| 72.5 % | ≈ 81′ | Sadness | 88 % | 70 % | 73 % | 79 % |
| 77.5 % | ≈ 87′ | Sadness | 83 % | 76 % | 64 % | 68 % |
| 82.5 % | ≈ 92′ | Love | 78 % | 60 % | 65 % | 63 % |
| 87.5 % | ≈ 98′ | Disturbing | 87 % | 63 % | 79 % | 78 % |
| 92.5 % | ≈ 104′ | Sadness | 87 % | 69 % | 68 % | 80 % |
| 97.5 % | ≈ 109′ | Disturbing | 75 % | 57 % | 40 % | 68 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Ilona
Hans Wieck
Ilonas Sohn
Geigenspieler
Der alte Wieck
Frau Wieck
Botschafter
Frau Botschafter
Arzt (as Aron Sipos)
Zeichner Torresz
Chefkoch Istvan
Kartoffelhändler
Direktor Novak
Herr Svoboda
Herr Schwitz
Postbote
Details
- Directed by
- Rolf Schübel
- Written by
- Rolf Schübel, Ruth Toma, Nick Barkow
- Type
- Movies
- Released
- 1999
- Runtime
- 112 min
- Country
- Germany, Hungary
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





