Hitman
1998 · 103 min · Director: Wei Tung, Stephen Tung Wai
Show plot summary (may contain spoilers)
Financially troubled, a newbie hitman reluctantly takes the job of finding the plotted killer of a Japanese tycoon, but things complicate when the tycoon is killed and he is forced to ally with a misfortunate hitman to find the "King of the Hitman."
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Emotional fingerprint
Hitman (1998) — Movie. Top emotional signals: Excitement 35%, Humor 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement35%
- Humor25%
- Tension20%
- Surprise10%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Humor, Tension. Genres: Comedy, Crime, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Humor and Tension. Its IMDb rating of 6.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Disgust
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Disgust
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Relief
Dominant emotion: Sympathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Disgust |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Disgust | 80 % | 7 % | 58 % | 70 % |
| 7.5 % | ≈ 8′ | Tension | 69 % | 21 % | 51 % | 44 % |
| 12.5 % | ≈ 13′ | Humor | 55 % | 38 % | 35 % | 16 % |
| 17.5 % | ≈ 18′ | Humor | 49 % | 40 % | 31 % | 6 % |
| 22.5 % | ≈ 23′ | Humor | 50 % | 43 % | 31 % | 6 % |
| 27.5 % | ≈ 28′ | Humor | 57 % | 55 % | 23 % | 6 % |
| 32.5 % | ≈ 33′ | Humor | 65 % | 54 % | 29 % | 5 % |
| 37.5 % | ≈ 39′ | Tension | 65 % | 41 % | 40 % | 5 % |
| 42.5 % | ≈ 44′ | Relief | 57 % | 43 % | 29 % | 4 % |
| 47.5 % | ≈ 49′ | Humor | 50 % | 46 % | 18 % | 3 % |
| 52.5 % | ≈ 54′ | Humor | 48 % | 44 % | 21 % | 1 % |
| 57.5 % | ≈ 59′ | Humor | 56 % | 36 % | 41 % | 0 % |
| 62.5 % | ≈ 64′ | Tension | 73 % | 24 % | 65 % | 5 % |
| 67.5 % | ≈ 70′ | Sympathy | 75 % | 18 % | 64 % | 11 % |
| 72.5 % | ≈ 75′ | Sympathy | 64 % | 19 % | 53 % | 8 % |
| 77.5 % | ≈ 80′ | Tension | 58 % | 24 % | 51 % | 3 % |
| 82.5 % | ≈ 85′ | Tension | 61 % | 27 % | 54 % | 5 % |
| 87.5 % | ≈ 90′ | Sympathy | 70 % | 31 % | 61 % | 8 % |
| 92.5 % | ≈ 95′ | Tension | 74 % | 45 % | 56 % | 5 % |
| 97.5 % | ≈ 100′ | Relief | 70 % | 57 % | 35 % | 2 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
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Cast
David Wu
Eiji Tsukamoto
Martin
Uncle Leung
Uncle Lau
Tall Man
Sasaki
Assassin
Leung
Brother Dog's Man
Brother Dog's Man
Details
- Directed by
- Wei Tung, Stephen Tung Wai
- Written by
- Hing-Ka Chan, Vincent Kok, Kam Fu Cheng, Vincent Kok Tak-Chiu, Chan Hing-Kai, Cheng Kam-Fu
- Type
- Movies
- Released
- 1998
- Runtime
- 103 min
- Country
- Hong Kong
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
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