Sabrina Goes to Rome
1998 · 84 min · Director: Tibor Takács
Show plot summary (may contain spoilers)
American teenage witch Sabrina and her food-obsessed magical talking cat and mouse travel to Rome, the last whereabout of her 16th-century aunt Sophia, who was banished after breaking the ...
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Emotional fingerprint
Sabrina Goes to Rome (1998) — Movie. Top emotional signals: Humor 30%, Excitement 25%, Curiosity 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Excitement25%
- Curiosity20%
- Joy15%
- Surprise10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Excitement, Curiosity. Genres: Comedy, Fantasy, Family. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Excitement and Curiosity. Its IMDb rating of 5.5/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 60/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Love
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Love | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Curiosity | 50 % | 47 % | 7 % | 42 % |
| 7.5 % | ≈ 6′ | Humor | 54 % | 50 % | 8 % | 41 % |
| 12.5 % | ≈ 11′ | Curiosity | 53 % | 48 % | 20 % | 41 % |
| 17.5 % | ≈ 15′ | Humor | 51 % | 49 % | 26 % | 36 % |
| 22.5 % | ≈ 19′ | Humor | 51 % | 51 % | 23 % | 30 % |
| 27.5 % | ≈ 23′ | Humor | 51 % | 51 % | 25 % | 26 % |
| 32.5 % | ≈ 27′ | Humor | 56 % | 51 % | 18 % | 35 % |
| 37.5 % | ≈ 32′ | Curiosity | 59 % | 49 % | 8 % | 48 % |
| 42.5 % | ≈ 36′ | Humor | 60 % | 55 % | 11 % | 41 % |
| 47.5 % | ≈ 40′ | Humor | 61 % | 59 % | 18 % | 34 % |
| 52.5 % | ≈ 44′ | Curiosity | 57 % | 53 % | 20 % | 41 % |
| 57.5 % | ≈ 48′ | Humor | 59 % | 46 % | 29 % | 41 % |
| 62.5 % | ≈ 53′ | Love | 63 % | 39 % | 39 % | 38 % |
| 67.5 % | ≈ 57′ | Curiosity | 64 % | 35 % | 36 % | 45 % |
| 72.5 % | ≈ 61′ | Tension | 69 % | 35 % | 36 % | 40 % |
| 77.5 % | ≈ 65′ | Tension | 69 % | 43 % | 39 % | 25 % |
| 82.5 % | ≈ 69′ | Humor | 65 % | 46 % | 48 % | 23 % |
| 87.5 % | ≈ 74′ | Love | 69 % | 40 % | 54 % | 24 % |
| 92.5 % | ≈ 78′ | Sadness | 75 % | 36 % | 53 % | 24 % |
| 97.5 % | ≈ 82′ | Love | 80 % | 32 % | 65 % | 28 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Alberto
Mercutio
Mrs. Guadagno
Roberto
Taxi Driver
Details
- Directed by
- Tibor Takács
- Written by
- Nell Scovell (television series creator), Jonathan Schmock (television series developer), Barney Cohen (earlier story), Kathryn Wallack (earlier story), Barney Cohen (earlier teleplay), Kathryn Wallack (earlier teleplay), Nicholas Factor (earlier teleplay), Dan Berendsen
- Type
- Movies
- Released
- 1998
- Runtime
- 84 min
- Country
- USA
- Ratings
- Feels mostly
- Humor
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





