Billboard Dad
1998 · 87 min · Director: Alan Metter
Show plot summary (may contain spoilers)
Twin girls advertise their single father on a Santa Monica Billboard.
Emotional fingerprint
Billboard Dad (1998) — Movie. Top emotional signals: Humor 35%, Love 25%, Happiness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Love25%
- Happiness20%
- Anticipation10%
- Empathy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Love, Happiness. Genres: Comedy, Romance, Family. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Love and Happiness. Its IMDb rating of 5.3/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 58/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Humor
- Love
- Joy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Love
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Love | Joy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Love | 41 % | 35 % | 32 % | 23 % |
| 7.5 % | ≈ 7′ | Humor | 43 % | 40 % | 25 % | 21 % |
| 12.5 % | ≈ 11′ | Humor | 45 % | 39 % | 24 % | 19 % |
| 17.5 % | ≈ 15′ | Sadness | 52 % | 33 % | 31 % | 18 % |
| 22.5 % | ≈ 20′ | Sadness | 56 % | 35 % | 30 % | 17 % |
| 27.5 % | ≈ 24′ | Humor | 54 % | 45 % | 25 % | 22 % |
| 32.5 % | ≈ 28′ | Humor | 53 % | 52 % | 21 % | 23 % |
| 37.5 % | ≈ 33′ | Humor | 54 % | 50 % | 22 % | 23 % |
| 42.5 % | ≈ 37′ | Love | 53 % | 42 % | 38 % | 31 % |
| 47.5 % | ≈ 41′ | Love | 51 % | 37 % | 45 % | 35 % |
| 52.5 % | ≈ 46′ | Humor | 46 % | 37 % | 31 % | 29 % |
| 57.5 % | ≈ 50′ | Humor | 43 % | 35 % | 21 % | 21 % |
| 62.5 % | ≈ 54′ | Tension | 44 % | 30 % | 26 % | 17 % |
| 67.5 % | ≈ 59′ | Love | 46 % | 27 % | 31 % | 17 % |
| 72.5 % | ≈ 63′ | Tension | 51 % | 22 % | 25 % | 11 % |
| 77.5 % | ≈ 67′ | Sadness | 59 % | 19 % | 16 % | 18 % |
| 82.5 % | ≈ 72′ | Joy | 64 % | 26 % | 13 % | 35 % |
| 87.5 % | ≈ 76′ | Tension | 61 % | 32 % | 21 % | 32 % |
| 92.5 % | ≈ 80′ | Love | 63 % | 37 % | 41 % | 35 % |
| 97.5 % | ≈ 85′ | Joy | 70 % | 39 % | 58 % | 54 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Billboard Dad. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Nigel
Debbie
Ryan
Cody
Julianne
Buzz Cut
Enola Rubinstein
Rich Woman
Massage Therapist
Details
- Directed by
- Alan Metter
- Written by
- Maria Jacquemetton
- Type
- Movies
- Released
- 1998
- Runtime
- 87 min
- Country
- USA
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
