Vieni avanti cretino
1982 · 98 min · Director: Luciano Salce
Show plot summary (may contain spoilers)
The funny misadventures of a simpleton just out of jail, looking for a job until the very surreal ending.
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Emotional fingerprint
Vieni avanti cretino (1982) — Movie. Top emotional signals: Humor 45%, Joy 20%, Surprise 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor45%
- Joy20%
- Surprise20%
- Satisfaction15%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Joy, Surprise. Genres: Comedy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Joy and Surprise. Its IMDb rating of 7.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Sympathy
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sympathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Sympathy | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 51 % | 50 % | 17 % | 6 % |
| 7.5 % | ≈ 7′ | Humor | 54 % | 53 % | 16 % | 10 % |
| 12.5 % | ≈ 12′ | Humor | 59 % | 59 % | 13 % | 17 % |
| 17.5 % | ≈ 17′ | Humor | 63 % | 63 % | 12 % | 22 % |
| 22.5 % | ≈ 22′ | Humor | 63 % | 63 % | 16 % | 24 % |
| 27.5 % | ≈ 27′ | Humor | 61 % | 60 % | 21 % | 24 % |
| 32.5 % | ≈ 32′ | Humor | 55 % | 55 % | 18 % | 19 % |
| 37.5 % | ≈ 37′ | Humor | 55 % | 55 % | 16 % | 16 % |
| 42.5 % | ≈ 42′ | Humor | 60 % | 60 % | 18 % | 21 % |
| 47.5 % | ≈ 47′ | Humor | 65 % | 65 % | 13 % | 23 % |
| 52.5 % | ≈ 51′ | Humor | 68 % | 68 % | 10 % | 18 % |
| 57.5 % | ≈ 56′ | Humor | 68 % | 66 % | 18 % | 26 % |
| 62.5 % | ≈ 61′ | Humor | 66 % | 59 % | 31 % | 37 % |
| 67.5 % | ≈ 66′ | Sympathy | 62 % | 53 % | 31 % | 27 % |
| 72.5 % | ≈ 71′ | Humor | 60 % | 56 % | 16 % | 15 % |
| 77.5 % | ≈ 76′ | Humor | 62 % | 61 % | 11 % | 21 % |
| 82.5 % | ≈ 81′ | Humor | 70 % | 69 % | 19 % | 32 % |
| 87.5 % | ≈ 86′ | Humor | 76 % | 75 % | 20 % | 35 % |
| 92.5 % | ≈ 91′ | Humor | 68 % | 68 % | 10 % | 23 % |
| 97.5 % | ≈ 96′ | Humor | 57 % | 57 % | 3 % | 8 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Ragazza al bar
Marisa, moglie di Gaetano Baudaffi
Segretaria del dentista
La dentista
La moglie di Filippo
Ragazzo al bar
Dottor Tomas
Carmela
Palmira
Details
- Directed by
- Luciano Salce
- Written by
- Lino Banfi, Roberto Leoni, Franco Bucceri
- Type
- Movies
- Released
- 1982
- Runtime
- 98 min
- Country
- Italy
- Genres
- Comedy
- Ratings
- Feels mostly
- Humor
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





