How the Grinch Stole Christmas
2000 · 105 min · Director: Ron Howard
Show plot summary (may contain spoilers)
Inside a snowflake exists the magical land of Whoville, wherein live the Whos, an almost-mutated sort of Munchkin-like people who all love Christmas. Just outside of their beloved town lives the Grinch (Jim Carrey), a nasty creature that hates Christmas and plans to steal it from the Whos, which he equally abhors. Little Cindy Lou Who (Taylor Momsen) decides to befriend the Grinch.
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Emotional fingerprint
How the Grinch Stole Christmas (2000) — Movie. Top emotional signals: Joy 35%, Humor 25%, Nostalgia 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Joy, Humor, Nostalgia. Genres: Comedy, Fantasy, Family. AI estimate.
Is it worth watching?
Consider this title if you are looking for Joy, Humor and Nostalgia. Its IMDb rating of 6.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Joy
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Joy | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Joy | 52 % | 35 % | 40 % | 5 % |
| 7.5 % | ≈ 8′ | Humor | 55 % | 44 % | 25 % | 9 % |
| 12.5 % | ≈ 13′ | Tension | 56 % | 46 % | 13 % | 15 % |
| 17.5 % | ≈ 18′ | Humor | 53 % | 48 % | 10 % | 20 % |
| 22.5 % | ≈ 24′ | Humor | 53 % | 44 % | 13 % | 33 % |
| 27.5 % | ≈ 29′ | Sadness | 55 % | 38 % | 15 % | 41 % |
| 32.5 % | ≈ 34′ | Humor | 55 % | 46 % | 16 % | 31 % |
| 37.5 % | ≈ 39′ | Humor | 60 % | 60 % | 19 % | 21 % |
| 42.5 % | ≈ 45′ | Humor | 66 % | 65 % | 25 % | 19 % |
| 47.5 % | ≈ 50′ | Humor | 66 % | 60 % | 29 % | 18 % |
| 52.5 % | ≈ 55′ | Humor | 63 % | 53 % | 20 % | 20 % |
| 57.5 % | ≈ 60′ | Humor | 59 % | 53 % | 13 % | 19 % |
| 62.5 % | ≈ 66′ | Humor | 59 % | 56 % | 10 % | 13 % |
| 67.5 % | ≈ 71′ | Humor | 57 % | 53 % | 9 % | 18 % |
| 72.5 % | ≈ 76′ | Humor | 56 % | 40 % | 16 % | 36 % |
| 77.5 % | ≈ 81′ | Empathy | 65 % | 31 % | 33 % | 57 % |
| 82.5 % | ≈ 87′ | Empathy | 75 % | 38 % | 46 % | 64 % |
| 87.5 % | ≈ 92′ | Tension | 77 % | 44 % | 55 % | 57 % |
| 92.5 % | ≈ 97′ | Joy | 74 % | 32 % | 61 % | 53 % |
| 97.5 % | ≈ 102′ | Joy | 67 % | 20 % | 58 % | 45 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
8-Year-Old Grinch
Christina Whoterberry
Junie
Customer
Miss Rue Who
Details
- Directed by
- Ron Howard
- Written by
- Jeffrey Price, Peter S. Seaman, Dr. Seuss, Peter S. Seaman
- Type
- Movies
- Released
- 2000
- Runtime
- 105 min
- Country
- Germany, United States
- Ratings
- Feels mostly
- Joy
- Data updated
Where to watch
Rent
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





