Galaxy Quest
1999 · 102 min · Director: Dean Parisot
Show plot summary (may contain spoilers)
The sci-fi television series "Galaxy Quest", which took place aboard the intergalactic spaceship NSEA Protector, starred Jason Nesmith as suave Commander Peter Quincy Taggart, Gwen DeMarco as sexy communications person Lt. Tawny Madison (a role which consisted solely of repeating what the computer stated, much to Gwen's chagrin), Shakespearean trained Sir Alexander Dane as alien Dr. Lazarus, Fred Kwan as engineer Tech Sergeant Chen, and Tommy Webber as child pilot Laredo. Eighteen years after the series last aired, it lives on in the hearts of its rabid fans. However, it lives on in infamy for its stars, who have not been able to find meaningful acting work since. Their current lives revolve around cashing in on however those roles will afford, which usually entails attending fan conventions or worse, such as electronic store openings. Only Jason seems to relish his lot in life, until he finds out that his co-stars detest him because of his superior attitude as "the Commander", and much of the public considers him a laughing stock. Their lives change when Jason is approached by who he thinks are convention fans asking for help. They are in reality an alien race called Thermians, led by Mathesar, who have modeled their existence after the series, which they believe to be real. When Jason and then the rest of his co-stars (along with Guy Fleegman, who was killed off before the opening credits in only one episode) go along with the Thermians, Jason's co-stars who believe they are off to yet another paying gig, they learn that they have to portray their roles for real. Without screenwriters to get them to a happy and heroic ending, they have to trust that their play acting will work, especially in dealing with the Thermians' nemesis, General Sarris. Guy in particular fears that he will go the way his character did on the series. But when they run across technical issues that they as actors didn't care anything about during the filming of the series and thus now don't know how to deal with, they need to find someone who should know what to do.
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Emotional fingerprint
Galaxy Quest (1999) — Movie. Top emotional signals: Humor 35%, Joy 25%, Excitement 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Joy25%
- Excitement20%
- Nostalgia10%
- Inspiration10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Joy, Excitement. Genres: Comedy, Adventure, Sci-Fi. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Joy and Excitement. Its IMDb rating of 7.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Humor
- Joy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Humor | Joy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 43 % | 20 % | 38 % | 23 % |
| 7.5 % | ≈ 8′ | Humor | 44 % | 19 % | 38 % | 18 % |
| 12.5 % | ≈ 13′ | Curiosity | 48 % | 28 % | 40 % | 11 % |
| 17.5 % | ≈ 18′ | Humor | 50 % | 33 % | 43 % | 14 % |
| 22.5 % | ≈ 23′ | Curiosity | 53 % | 26 % | 43 % | 20 % |
| 27.5 % | ≈ 28′ | Curiosity | 54 % | 28 % | 44 % | 20 % |
| 32.5 % | ≈ 33′ | Humor | 56 % | 45 % | 44 % | 13 % |
| 37.5 % | ≈ 38′ | Tension | 64 % | 61 % | 40 % | 6 % |
| 42.5 % | ≈ 43′ | Tension | 63 % | 54 % | 41 % | 8 % |
| 47.5 % | ≈ 48′ | Humor | 61 % | 46 % | 50 % | 10 % |
| 52.5 % | ≈ 54′ | Tension | 69 % | 59 % | 54 % | 14 % |
| 57.5 % | ≈ 59′ | Tension | 71 % | 66 % | 43 % | 18 % |
| 62.5 % | ≈ 64′ | Sadness | 74 % | 70 % | 26 % | 11 % |
| 67.5 % | ≈ 69′ | Tension | 79 % | 76 % | 25 % | 8 % |
| 72.5 % | ≈ 74′ | Tension | 79 % | 74 % | 31 % | 11 % |
| 77.5 % | ≈ 79′ | Sadness | 80 % | 74 % | 32 % | 11 % |
| 82.5 % | ≈ 84′ | Tension | 84 % | 79 % | 30 % | 24 % |
| 87.5 % | ≈ 89′ | Joy | 83 % | 64 % | 26 % | 53 % |
| 92.5 % | ≈ 94′ | Joy | 78 % | 38 % | 27 % | 68 % |
| 97.5 % | ≈ 99′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Cast
Nervous Tech
Katelyn
Details
- Directed by
- Dean Parisot
- Written by
- Robert Gordon, David Howard
- Type
- Movies
- Released
- 1999
- Runtime
- 102 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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