feeldb

Timecode

2000 · 97 min · Director: Mike Figgis ★ IMDb 6 · 7,402 ratings

Show plot summary (may contain spoilers)

The primary story with this movie is that it is shown in four simultaneously filmed ninety-three minute single shot takes (in other words, shown in four quadrants), with the actual plot secondary. The four cameras follow the players involved, with two or more of the four cameras sometimes filming the exact same scene from different angles and thus different perspectives. The audio on each of the four quadrants is turned up and down based on which quadrant(s) the viewer should pay most attention to at any given time. The actual plot, which takes place in Hollywood, involves the pre-production by Red Mullet Productions for the movie "Bitch from Louisiana". The production team is in an executive meeting to discuss several aspects of the movie, including problems with one of their own, Alex Green, who has been missing in action from much of the production and this meeting. Alex's problems stem from his substance abuse and philandering, his wife Emma who is contemplating leaving him, of which he is unaware. Lester Moore, the movie's director, is also causing the producers some concern as they believe he again is using drugs against company policy. The production team is also talking about casting the role of "The Bitch". One actress who wants to audition is Rose, who is having an affair with Alex as a foot in the door. Rose does not officially have an audition, although she tells her controlling lover, Lauren, that's why she is going to Red Mullet's office, while she really is meeting with Alex for a tryst. Lauren, however, believes that Rose is indeed cheating on her. Through it all, Quentin, a masseuse, is present giving free massages as a means to gain Red Mullet as a corporate client. Their goings-on come to a head during a pitch meeting by visiting European actress, Ana Pauls, who is accompanied by her agent, Bunny Drysdale, and her musician boyfriend, Joey Z.

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Emotional fingerprint

Timecode (2000) — Movie. Top emotional signals: Confusion 30%, Anxiety 25%, Curiosity 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Awe10%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Confusion, Anxiety, Curiosity. Genres: Drama, Romance. AI estimate.

Is it worth watching?

Consider this title if you are looking for Confusion, Anxiety and Curiosity. Its IMDb rating of 6.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 62/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Tension
  • Sadness
  • Curiosity

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Curiosity

Dominant emotion: Tension

Dominant emotion: Sadness

Dominant emotion: Humor

Dominant emotion: Love

Tension
Sadness
Curiosity
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values. Not enough subtitle evidence
Ending hidden

Dominant emotion

Intensity dips around 18 %, then rises around 83 %, then peaks around 93 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionSadnessCuriosity
2.5 %≈ 2′Curiosity43 %36 %13 %42 %
7.5 %≈ 7′Curiosity39 %32 %14 %33 %
12.5 %≈ 12′Tension39 %34 %20 %27 %
17.5 %≈ 17′Sadness37 %30 %18 %24 %
22.5 %≈ 22′Humor38 %18 %9 %21 %
27.5 %≈ 27′Humor42 %16 %5 %20 %
32.5 %≈ 32′Tension40 %25 %14 %19 %
37.5 %≈ 36′Love44 %31 %31 %18 %
42.5 %≈ 41′Sadness46 %30 %36 %19 %
47.5 %≈ 46′Humor41 %23 %24 %17 %
52.5 %≈ 51′Love41 %24 %24 %16 %
57.5 %≈ 56′Sadness42 %29 %26 %21 %
62.5 %≈ 61′Humor43 %36 %15 %28 %
67.5 %≈ 65′Tension50 %45 %9 %30 %
72.5 %≈ 70′Tension50 %42 %6 %24 %
77.5 %≈ 75′Humor44 %29 %5 %21 %
82.5 %≈ 80′Humor50 %39 %14 %26 %
87.5 %≈ 85′Tension71 %67 %37 %31 %
92.5 %≈ 90′Tension84 %82 %56 %32 %
97.5 %≈ 95′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
Icarus

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

Xander Berkeley

Evan Wantz

GB
Golden Brooks

Onyx Richardson

VD
Viveka Davis

Victoria Cohen

Richard Edson

Lester Moore

AG
Aimee Graham

Sikh Nurse

Glenne Headly

Therapist

AH
Andrew Heckler

Auditioning Actor

Holly Hunter

Renee Fishbine

DK
Daphna Kastner

Auditioning Actor

PK
Patrick Kearney

Drug House Owner

EL
Elizabeth Low

Penny (Evan's Assistant)

Kyle MacLachlan

Bunny Drysdale

MM
Mía Maestro

Ana Pauls

Leslie Mann

Cherine

SN
Suzy Nakamura

Connie Ling

Zuleikha Robinson

Lester Moore's Assistant

Details

Directed by
Mike Figgis
Written by
Mike Figgis
Type
Movies
Released
2000
Runtime
97 min
Country
United States
Genres
Drama, Romance
Ratings
★ IMDb 6 · 7,402 ratings
Feels mostly
Confusion
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.