Proof of Life
2000 · 135 min · Director: Taylor Hackford
Show plot summary (may contain spoilers)
Americans Alice and Peter Bowman have traveled from third world country to third world country working on humanitarian projects. They are currently in Tecala, a country nestled in the Andes, as Peter, an engineer, has been hired by QUAD Carbon, an oil company - the moral "enemy" - to lead a project to construct a dam to prevent what is the constant flooding in the country. Alice and Peter eventually learn that QUAD Carbon cares nothing about the dam, which is just a smoke-screen to get an oil pipeline approved and built. Despite loving each other, they have had problems in the marriage of late because of being in Tecala, where Alice has not been able to find her place, and needing to deal with the aftermath of Alice's recent miscarriage. On his way to work one day, Peter, along with a group of others, are random kidnap victims of left wing guerrillas, the Liberation Army of Tecala (ELT), whose reason for being has changed from a political agenda to a monetary one, primarily getting said money through kidnapping and the drug trade in cocaine. The ELT may believe they can get good money for Peter being an oil company executive, despite he not being wealthy as he is not on the oil side of the business. Luthan Risk International, who is the contracted agency for QUAD Carbon's kidnap and ransom (K&R) requirements, dispatches Australian-British Terry Thorne to negotiate Peter's release, Terry an ex-special ops soldier who is known as the best in the business within his own circles. But QUAD Carbon's financial troubles may prevent Terry or anyone else from Luthan Risk helping to get Peter back. Regardless, Alice has to decide whether to trust Terry, the global expert, or locals assigned by QUAD Carbon whose actions are on the surface more promising despite Terry's assertions to the contrary. All, however, need constant proof that Peter is indeed still alive to continue with their work to get him back. But what Alice and Terry begin to feel for each other ultimately factors into what they decide to do in relation to Peter.
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Emotional fingerprint
Proof of Life (2000) — Movie. Top emotional signals: Anxiety 30%, Tension 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Tension, Empathy. Genres: Thriller, Drama, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Tension and Empathy. Its IMDb rating of 6.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 65/100.
How did it make you feel?
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Emotional journey
- Tension
- Empathy
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Hope
Dominant emotion: Sadness
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Empathy | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 58 % | 57 % | 18 % | 7 % |
| 7.5 % | ≈ 10′ | Tension | 50 % | 46 % | 24 % | 11 % |
| 12.5 % | ≈ 17′ | Tension | 52 % | 49 % | 31 % | 19 % |
| 17.5 % | ≈ 24′ | Tension | 54 % | 51 % | 36 % | 21 % |
| 22.5 % | ≈ 30′ | Tension | 51 % | 46 % | 40 % | 21 % |
| 27.5 % | ≈ 37′ | Empathy | 56 % | 49 % | 44 % | 23 % |
| 32.5 % | ≈ 44′ | Tension | 59 % | 53 % | 41 % | 18 % |
| 37.5 % | ≈ 51′ | Hope | 58 % | 49 % | 43 % | 19 % |
| 42.5 % | ≈ 57′ | Empathy | 59 % | 48 % | 50 % | 31 % |
| 47.5 % | ≈ 64′ | Tension | 61 % | 56 % | 51 % | 38 % |
| 52.5 % | ≈ 71′ | Tension | 66 % | 65 % | 55 % | 44 % |
| 57.5 % | ≈ 78′ | Tension | 73 % | 63 % | 64 % | 57 % |
| 62.5 % | ≈ 84′ | Sadness | 74 % | 57 % | 64 % | 59 % |
| 67.5 % | ≈ 91′ | Tension | 74 % | 65 % | 57 % | 50 % |
| 72.5 % | ≈ 98′ | Tension | 75 % | 73 % | 51 % | 41 % |
| 77.5 % | ≈ 105′ | Tension | 75 % | 74 % | 44 % | 26 % |
| 82.5 % | ≈ 111′ | Tension | 80 % | 80 % | 44 % | 19 % |
| 87.5 % | ≈ 118′ | Tension | 86 % | 70 % | 53 % | 23 % |
| 92.5 % | ≈ 125′ | Relief | 87 % | 43 % | 60 % | 28 % |
| 97.5 % | ≈ 132′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Cast
Juaco
Norma
Sandro
Cinta
Carlos
Tomas
Details
- Directed by
- Taylor Hackford
- Written by
- William Prochnau, Tony Gilroy, Thomas Hargrove
- Type
- Movies
- Released
- 2000
- Runtime
- 135 min
- Country
- United States
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
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