feeldb

Down to Earth

2001 · 87 min · Director: Chris Weitz, Paul Weitz ★ IMDb 5.4 · 24,714 ratings

Show plot summary (may contain spoilers)

It seems everyone is trying to get into heaven; at least those whose time is up. For Lance Barton (Chris Rock), a struggling comedian and bicycle messenger, it's the last thing on his mind. His due date in heaven is fifty years away. In the meantime, he has big dreams to pursue on Earth, such as landing a slot at the final Amateur Night Contest at the famed Apollo Theatre. Lance's has one little problem though - he isn't that funny. Thanks to an overly cautious emissary from heaven, Mr. Keyes (Eugene Levy), he's going to get hit (literally) with a much bigger problem. Showing that even God has difficulty finding good help these days, the inept minion mistakenly plucks Lance from a traffic accident - before it takes place. Transporting him to the Pearly Gates, or more accurately, the velvet roped-lines of the hottest club around, the error is finally addressed by Mr. King (Chazz Palminteri), the streetwise, no-nonsense head angel who manages the place from his plush windowed office. Since returning to his own body on Earth is impossible, the urban dwelling Lance reluctantly agrees to a normally unthinkable proposal. He'll occupy the body of a wealthy old white mogul, Charles Wellington III (Brian Rhodes), until a more suitable body can be found. Strangely enough, in a Park Avenue penthouse, servants and butlers become his new homeys as Lance works on his streetwise comedy routine for the big Apollo showdown. Living in the body of a callous old white man would be bizarre enough for Lance without falling in love with Sontee Jenkins (Regina King), the beautiful woman publicly battling Wellington's company at the same time. And if that wasn't enough, he has to deal with the love affair between Wellington's wife and his personal assistant, and their plot to have him killed.

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Emotional fingerprint

Down to Earth (2001) — Movie. Top emotional signals: Humor 35%, Excitement 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

35%Humor
20%Love
  1. Humor35%
  2. Love20%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Humor, Excitement, Love. Genres: Comedy, Fantasy. AI estimate.

Is it worth watching?

Consider this title if you are looking for Humor, Excitement and Love. Its IMDb rating of 5.4/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 58/100.

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Emotional journey

AI · from subtitles
  • Humor
  • Curiosity
  • Love

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Humor

Dominant emotion: Curiosity

Dominant emotion: Love

Dominant emotion: Sadness

Humor
Curiosity
Love
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values. Not enough subtitle evidence
Ending hidden

Dominant emotion

Intensity dips around 3 %, then peaks around 78 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityHumorCuriosityLove
2.5 %≈ 2′Humor43 %38 %32 %3 %
7.5 %≈ 7′Curiosity49 %40 %43 %1 %
12.5 %≈ 11′Curiosity51 %45 %49 %1 %
17.5 %≈ 15′Humor49 %48 %41 %4 %
22.5 %≈ 20′Humor49 %48 %31 %4 %
27.5 %≈ 24′Humor51 %49 %25 %3 %
32.5 %≈ 28′Humor53 %51 %20 %5 %
37.5 %≈ 33′Humor53 %49 %19 %8 %
42.5 %≈ 37′Humor54 %46 %20 %10 %
47.5 %≈ 41′Humor55 %51 %18 %21 %
52.5 %≈ 46′Humor56 %53 %18 %38 %
57.5 %≈ 50′Love55 %45 %26 %38 %
62.5 %≈ 54′Sadness53 %44 %31 %20 %
67.5 %≈ 59′Humor56 %49 %28 %20 %
72.5 %≈ 63′Love61 %43 %30 %34 %
77.5 %≈ 67′Sadness64 %41 %33 %31 %
82.5 %≈ 72′Humor61 %48 %29 %24 %
87.5 %≈ 76′Sadness54 %41 %26 %28 %
92.5 %≈ 80′Love50 %37 %22 %37 %
97.5 %≈ 85′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
Rags to riches

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

0 responses so far

Feeling details appear after at least 3 viewers respond, to protect privacy.

Cast

Chris Rock

Lance Barton

Regina King

Sontee Jenkins

Frankie Faison

Whitney Daniels

Mark Addy

Cisco

Jennifer Coolidge

Mrs. Wellington

John Cho

Phil Quon

MJ
Mario Joyner

Apollo M.C.

BC
Bryetta Calloway

Gospel Singer

MC
Martha Chaves

Rosa

BR
Brian Rhodes

Charles Wellington, III

HL
Herb Lovelle

Trashman

KB
Kedar Brown

Heckler (as Kedar)

AD
Adam Dannheisser

Doorman

MD
Malcolm Devine

Singer

CW
Collette Wilson

Singer

MM
Maiesha McQueen

Singer

Details

Directed by
Chris Weitz, Paul Weitz
Written by
Warren Beatty, Chris Rock, Elaine May, Chris Rock, Louis C.K., Lance Crouther, Ali LeRoi
Type
Movies
Released
2001
Runtime
87 min
Country
Germany, Canada, Australia, United States
Ratings
★ IMDb 5.4 · 24,714 ratings
Feels mostly
Humor
Data updated

Where to watch

Also on

Availability varies by country

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.