The Tailor of Panama
2001 · 109 min · Director: John Boorman
Show plot summary (may contain spoilers)
Women have been MI.6. agent Andy Osnard's weakness. As punishment for being caught sleeping with the wrong woman on his last posting in Spain, Andy is relegated to the global backwater of Panama as his next field assignment. Although nothing is happening there on the surface, Panama is still seen as having global importance due to the canal, with something always possible to rock the boat as seen by the recent history of the corrupt regime of Manuel Noriega. The advice of his superior is to co-opt one of the only few hundred British nationals living there to act as an informant for pay. Who Andy chooses is Harry Pendel, a men's suits tailor with Savile Row credentials through his now deceased business partner Arthur Braithwaite. This choice is because of Harry's client list, he the tailor to the elite and powerful, including the Panamanian president, who may treat him like the proverbial "bartender" or "hairdresser" confidante, and because his American wife, Louisa, works in a senior managerial position within the canal authority. But what may have swayed Andy's choice the most is that he knows the truth about Harry: that he not only does not have Savile Row credentials, but is an ex-con, Arthur Braithwaite was his Uncle Benny, also a criminal, and that despite his tailor shop doing good business, he is deep in debt from a farming venture gone wrong, none of this about which Louisa knows. As such, Harry has no choice but to cooperate, the payment from Andy which at least gets him out of his farm debt. As a side, Harry also has some connections to people who actively worked in the opposition against Noriega: Mickie Abraxas, who has turned to the bottle to cope, and Harry's store manager Marta, the right side of her face which shows the physical scars of that war, the scars at the hands of Noriega's men. With Andy placing more and more pressure on Harry to provide intel of some importance, Andy eventually learns through Harry that the Panamanian government is planning on selling the canal to the Chinese. This intel is exactly what Andy was looking for to set in motion a plan to reach his ultimate goal with this Panamanian posting.
Your viewing check-in
Emotional fingerprint
The Tailor of Panama (2001) — Movie. Top emotional signals: Anxiety 30%, Humor 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Anxiety30%
- Humor25%
- Tension20%
- Confusion15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Humor, Tension. Genres: Thriller, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Humor and Tension. Its IMDb rating of 6.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 62/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Tension
- Curiosity
- Relief
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Curiosity | Relief |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 37 % | 25 % | 40 % | 0 % |
| 7.5 % | ≈ 8′ | Curiosity | 38 % | 29 % | 39 % | 0 % |
| 12.5 % | ≈ 14′ | Curiosity | 44 % | 36 % | 41 % | 0 % |
| 17.5 % | ≈ 19′ | Tension | 48 % | 35 % | 38 % | 1 % |
| 22.5 % | ≈ 25′ | Sadness | 45 % | 26 % | 32 % | 3 % |
| 27.5 % | ≈ 30′ | Curiosity | 43 % | 25 % | 33 % | 1 % |
| 32.5 % | ≈ 35′ | Sadness | 46 % | 31 % | 34 % | 0 % |
| 37.5 % | ≈ 41′ | Curiosity | 49 % | 38 % | 39 % | 0 % |
| 42.5 % | ≈ 46′ | Curiosity | 45 % | 38 % | 41 % | 0 % |
| 47.5 % | ≈ 52′ | Curiosity | 46 % | 39 % | 39 % | 1 % |
| 52.5 % | ≈ 57′ | Tension | 49 % | 43 % | 35 % | 4 % |
| 57.5 % | ≈ 63′ | Tension | 44 % | 38 % | 31 % | 4 % |
| 62.5 % | ≈ 68′ | Curiosity | 48 % | 41 % | 34 % | 1 % |
| 67.5 % | ≈ 74′ | Tension | 59 % | 55 % | 38 % | 0 % |
| 72.5 % | ≈ 79′ | Tension | 63 % | 59 % | 39 % | 0 % |
| 77.5 % | ≈ 84′ | Tension | 65 % | 60 % | 44 % | 0 % |
| 82.5 % | ≈ 90′ | Tension | 73 % | 68 % | 45 % | 0 % |
| 87.5 % | ≈ 95′ | Tension | 80 % | 76 % | 38 % | 14 % |
| 92.5 % | ≈ 101′ | Tension | 78 % | 65 % | 27 % | 43 % |
| 97.5 % | ≈ 106′ | Relief | 70 % | 40 % | 20 % | 58 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Sarah Pendel
Juan-David
Details
- Directed by
- John Boorman
- Written by
- John Boorman, John le Carré, Andrew Davies
- Type
- Movies
- Released
- 2001
- Runtime
- 109 min
- Country
- United States, Ireland
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





