Bridget Jones's Diary
2001 · 97 min · Director: Sharon Maguire
Show plot summary (may contain spoilers)
Bridget Jones (Renée Zellweger) is an average woman struggling against her age, her weight, her job, her lack of a man, and her many imperfections. As a New Year's Resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.
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Emotional fingerprint
Bridget Jones's Diary (2001) — Movie. Top emotional signals: Humor 30%, Empathy 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Empathy25%
- Love20%
- Anxiety15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Empathy, Love. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Empathy and Love. Its IMDb rating of 6.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Love
- Joy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Love | Joy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 50 % | 52 % | 5 % | 12 % |
| 7.5 % | ≈ 7′ | Sadness | 51 % | 51 % | 8 % | 13 % |
| 12.5 % | ≈ 12′ | Humor | 54 % | 55 % | 13 % | 18 % |
| 17.5 % | ≈ 17′ | Humor | 56 % | 59 % | 16 % | 20 % |
| 22.5 % | ≈ 22′ | Humor | 57 % | 59 % | 25 % | 25 % |
| 27.5 % | ≈ 27′ | Humor | 58 % | 56 % | 38 % | 34 % |
| 32.5 % | ≈ 32′ | Humor | 57 % | 57 % | 36 % | 35 % |
| 37.5 % | ≈ 36′ | Humor | 56 % | 51 % | 23 % | 24 % |
| 42.5 % | ≈ 41′ | Sadness | 58 % | 35 % | 11 % | 11 % |
| 47.5 % | ≈ 46′ | Sadness | 61 % | 36 % | 6 % | 11 % |
| 52.5 % | ≈ 51′ | Humor | 61 % | 48 % | 19 % | 23 % |
| 57.5 % | ≈ 56′ | Love | 60 % | 51 % | 36 % | 31 % |
| 62.5 % | ≈ 61′ | Humor | 61 % | 58 % | 38 % | 36 % |
| 67.5 % | ≈ 65′ | Humor | 65 % | 60 % | 34 % | 38 % |
| 72.5 % | ≈ 70′ | Tension | 66 % | 51 % | 30 % | 29 % |
| 77.5 % | ≈ 75′ | Sadness | 63 % | 40 % | 38 % | 26 % |
| 82.5 % | ≈ 80′ | Love | 59 % | 36 % | 45 % | 30 % |
| 87.5 % | ≈ 85′ | Sadness | 61 % | 40 % | 45 % | 38 % |
| 92.5 % | ≈ 90′ | Love | 63 % | 33 % | 51 % | 45 % |
| 97.5 % | ≈ 95′ | Love | 55 % | 15 % | 52 % | 40 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
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Details
- Directed by
- Sharon Maguire
- Written by
- Richard Curtis, Andrew Davies, Helen Fielding
- Type
- Movies
- Released
- 2001
- Runtime
- 97 min
- Country
- United Kingdom, France, Ireland, United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





