The Closet
2001 · 84 min · Director: Francis Veber
Show plot summary (may contain spoilers)
François Pignon, a very bland sort of man who works as an accountant in a rubber factory, is about to be fired. His new neighbour comes up with an idea to prevent such a thing to happen: he spreads the rumor that he's gay so that the factory management might be afraid they'll be sued for sexual discrimination. Of course, nothing happens as it should, but the changes in François Pignon's life -and other people's too- is drastic !
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Emotional fingerprint
The Closet (2001) — Movie. Top emotional signals: Humor 40%, Joy 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Joy, Empathy. Genres: Comedy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Joy and Empathy. Its IMDb rating of 7.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Sympathy
- Relief
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sympathy
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Sympathy | Relief |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 52 % | 35 % | 40 % | 2 % |
| 7.5 % | ≈ 6′ | Sympathy | 57 % | 25 % | 51 % | 8 % |
| 12.5 % | ≈ 11′ | Sympathy | 56 % | 26 % | 53 % | 14 % |
| 17.5 % | ≈ 15′ | Humor | 51 % | 39 % | 40 % | 15 % |
| 22.5 % | ≈ 19′ | Humor | 51 % | 49 % | 29 % | 19 % |
| 27.5 % | ≈ 23′ | Humor | 53 % | 51 % | 29 % | 26 % |
| 32.5 % | ≈ 27′ | Humor | 53 % | 46 % | 35 % | 24 % |
| 37.5 % | ≈ 32′ | Humor | 53 % | 41 % | 36 % | 13 % |
| 42.5 % | ≈ 36′ | Humor | 53 % | 40 % | 31 % | 9 % |
| 47.5 % | ≈ 40′ | Tension | 55 % | 35 % | 31 % | 8 % |
| 52.5 % | ≈ 44′ | Sympathy | 56 % | 33 % | 36 % | 6 % |
| 57.5 % | ≈ 48′ | Humor | 56 % | 36 % | 40 % | 9 % |
| 62.5 % | ≈ 53′ | Sympathy | 60 % | 33 % | 49 % | 9 % |
| 67.5 % | ≈ 57′ | Sympathy | 61 % | 30 % | 50 % | 19 % |
| 72.5 % | ≈ 61′ | Relief | 59 % | 31 % | 43 % | 39 % |
| 77.5 % | ≈ 65′ | Relief | 56 % | 30 % | 38 % | 46 % |
| 82.5 % | ≈ 69′ | Relief | 53 % | 32 % | 34 % | 39 % |
| 87.5 % | ≈ 74′ | Humor | 53 % | 35 % | 36 % | 35 % |
| 92.5 % | ≈ 78′ | Relief | 59 % | 41 % | 36 % | 46 % |
| 97.5 % | ≈ 82′ | Humor | 62 % | 52 % | 28 % | 53 % |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Martine
Suzanne
Moreau
Le maitre d'hôtel
Le sommelier
Ariane
Franck
Victor
Details
- Directed by
- Francis Veber
- Written by
- Francis Veber
- Type
- Movies
- Released
- 2001
- Runtime
- 84 min
- Country
- France
- Genres
- Comedy
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





