Shallow Hal
2001 · 114 min · Director: Peter Farrelly, Bobby Farrelly
Show plot summary (may contain spoilers)
Following the advice of his dying father, Hal dates only women who are physically beautiful. One day, however, he runs into self-help guru Tony Robbins, who hypnotizes him into recognizing only the inner beauty of women. Hal thereafter meets Rosemary, a largely obese woman whom only he can see as a vision of loveliness. But will their relationship survive when Hal's equally shallow friend undoes the hypnosis?
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Emotional fingerprint
Shallow Hal (2001) — Movie. Top emotional signals: Humor 30%, Empathy 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Empathy, Love. Genres: Comedy, Drama, Fantasy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Empathy and Love. Its IMDb rating of 6.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 61/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Love
- Hope
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Love | Hope |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 47 % | 43 % | 3 % | 2 % |
| 7.5 % | ≈ 9′ | Humor | 45 % | 44 % | 3 % | 6 % |
| 12.5 % | ≈ 14′ | Humor | 46 % | 45 % | 6 % | 15 % |
| 17.5 % | ≈ 20′ | Humor | 45 % | 43 % | 13 % | 19 % |
| 22.5 % | ≈ 26′ | Humor | 43 % | 41 % | 15 % | 15 % |
| 27.5 % | ≈ 31′ | Humor | 44 % | 43 % | 18 % | 16 % |
| 32.5 % | ≈ 37′ | Humor | 46 % | 38 % | 21 % | 19 % |
| 37.5 % | ≈ 43′ | Tension | 46 % | 33 % | 21 % | 15 % |
| 42.5 % | ≈ 48′ | Humor | 45 % | 34 % | 25 % | 19 % |
| 47.5 % | ≈ 54′ | Love | 46 % | 35 % | 28 % | 24 % |
| 52.5 % | ≈ 60′ | Humor | 45 % | 36 % | 20 % | 18 % |
| 57.5 % | ≈ 66′ | Humor | 43 % | 35 % | 16 % | 13 % |
| 62.5 % | ≈ 71′ | Tension | 46 % | 34 % | 15 % | 10 % |
| 67.5 % | ≈ 77′ | Humor | 51 % | 31 % | 13 % | 8 % |
| 72.5 % | ≈ 83′ | Sadness | 55 % | 21 % | 16 % | 10 % |
| 77.5 % | ≈ 88′ | Sadness | 57 % | 23 % | 21 % | 18 % |
| 82.5 % | ≈ 94′ | Humor | 56 % | 30 % | 26 % | 31 % |
| 87.5 % | ≈ 100′ | Hope | 61 % | 24 % | 41 % | 48 % |
| 92.5 % | ≈ 105′ | Love | 61 % | 18 % | 49 % | 50 % |
| 97.5 % | ≈ 111′ | Hope | 48 % | 17 % | 38 % | 40 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Walt
Tony Robbins
Jill
Li'iboy
Tanya Peeler
Young Hal
Fuel Pizza Waiter
Mrs. Shanahan
Spastic Bella
Details
- Directed by
- Peter Farrelly, Bobby Farrelly
- Written by
- Peter Farrelly, Bobby Farrelly, Sean Moynihan
- Type
- Movies
- Released
- 2001
- Runtime
- 114 min
- Country
- United States, Germany
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
Feels similar
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