Panic Room
2002 · 111 min · Director: David Fincher
Show plot summary (may contain spoilers)
Recently divorced Meg Altman and her daughter Sarah have bought a new home in New York. On their tour around the mansion, they come across the panic room. A room so secure, that no one can get in. When three burglars break in, Meg makes a move to the panic room. But all her troubles don't stop there. The criminals know where she is, and what they require the most in the house is in that very room.
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Emotional fingerprint
Panic Room (2002) — Movie. Top emotional signals: Anxiety 35%, Tension 30%, Fear 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Tension, Fear. Genres: Thriller, Drama, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Tension and Fear. Its IMDb rating of 6.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Fear
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Empathy
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Fear | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 33 % | 12 % | 3 % | 12 % |
| 7.5 % | ≈ 8′ | Curiosity | 39 % | 18 % | 8 % | 20 % |
| 12.5 % | ≈ 14′ | Empathy | 49 % | 30 % | 18 % | 30 % |
| 17.5 % | ≈ 19′ | Tension | 63 % | 55 % | 38 % | 31 % |
| 22.5 % | ≈ 25′ | Tension | 74 % | 74 % | 56 % | 34 % |
| 27.5 % | ≈ 31′ | Tension | 76 % | 76 % | 59 % | 38 % |
| 32.5 % | ≈ 36′ | Tension | 74 % | 74 % | 54 % | 40 % |
| 37.5 % | ≈ 42′ | Tension | 76 % | 76 % | 61 % | 48 % |
| 42.5 % | ≈ 47′ | Tension | 80 % | 80 % | 70 % | 54 % |
| 47.5 % | ≈ 53′ | Tension | 78 % | 78 % | 64 % | 50 % |
| 52.5 % | ≈ 58′ | Tension | 74 % | 74 % | 54 % | 43 % |
| 57.5 % | ≈ 64′ | Tension | 74 % | 74 % | 54 % | 45 % |
| 62.5 % | ≈ 69′ | Tension | 79 % | 79 % | 65 % | 56 % |
| 67.5 % | ≈ 75′ | Tension | 86 % | 86 % | 78 % | 68 % |
| 72.5 % | ≈ 80′ | Tension | 89 % | 88 % | 79 % | 73 % |
| 77.5 % | ≈ 86′ | Tension | 85 % | 83 % | 70 % | 66 % |
| 82.5 % | ≈ 92′ | Tension | 79 % | 78 % | 60 % | 50 % |
| 87.5 % | ≈ 97′ | Tension | 76 % | 76 % | 57 % | 45 % |
| 92.5 % | ≈ 103′ | Tension | 80 % | 75 % | 60 % | 55 % |
| 97.5 % | ≈ 108′ | Relief | 80 % | 67 % | 53 % | 57 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Evan Kurlander
SWAT Cop
SWAT Cop
SWAT Cop
SWAT Cop
Truck Driver (uncredited
Details
- Directed by
- David Fincher
- Written by
- David Koepp
- Type
- Movies
- Released
- 2002
- Runtime
- 111 min
- Country
- United States
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
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