Attack the Gas Station
1999 · 113 min · Director: Sang-Jin Kim, Kim Sang-jin
Show plot summary (may contain spoilers)
A quartet of disaffected Korean youths have robbed a Seoul gas station. Later, while hanging out in a Chinese noodle shop, they decide to rob the same gas station. After taking the gas station over, their wacky antics ensue; forcing the manager to sing, kidnapping customers that complain about the service, and staging fist-fights between street gang members and gas station employees; all of these reflect their own gripes against society.
Your viewing check-in
Emotional fingerprint
Attack the Gas Station (1999) — Movie. Top emotional signals: Humor 40%, Excitement 25%, Anger 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor40%
- Excitement25%
- Anger15%
- Surprise10%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Excitement, Anger. Genres: Comedy, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Excitement and Anger. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Excitement
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sympathy
Dominant emotion: Excitement
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Excitement |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 58 % | 50 % | 45 % | 27 % |
| 7.5 % | ≈ 8′ | Humor | 58 % | 49 % | 48 % | 24 % |
| 12.5 % | ≈ 14′ | Tension | 60 % | 50 % | 51 % | 24 % |
| 17.5 % | ≈ 20′ | Humor | 63 % | 54 % | 53 % | 28 % |
| 22.5 % | ≈ 25′ | Humor | 61 % | 54 % | 49 % | 27 % |
| 27.5 % | ≈ 31′ | Humor | 60 % | 53 % | 44 % | 25 % |
| 32.5 % | ≈ 37′ | Humor | 63 % | 53 % | 49 % | 34 % |
| 37.5 % | ≈ 42′ | Humor | 66 % | 55 % | 54 % | 40 % |
| 42.5 % | ≈ 48′ | Humor | 66 % | 54 % | 53 % | 30 % |
| 47.5 % | ≈ 54′ | Tension | 66 % | 44 % | 57 % | 26 % |
| 52.5 % | ≈ 59′ | Tension | 66 % | 39 % | 61 % | 33 % |
| 57.5 % | ≈ 65′ | Tension | 63 % | 45 % | 56 % | 33 % |
| 62.5 % | ≈ 71′ | Humor | 60 % | 54 % | 45 % | 27 % |
| 67.5 % | ≈ 76′ | Humor | 60 % | 53 % | 39 % | 23 % |
| 72.5 % | ≈ 82′ | Tension | 65 % | 51 % | 48 % | 26 % |
| 77.5 % | ≈ 88′ | Humor | 71 % | 56 % | 55 % | 36 % |
| 82.5 % | ≈ 93′ | Sympathy | 74 % | 55 % | 60 % | 46 % |
| 87.5 % | ≈ 99′ | Excitement | 81 % | 53 % | 73 % | 61 % |
| 92.5 % | ≈ 105′ | Tension | 84 % | 51 % | 75 % | 64 % |
| 97.5 % | ≈ 110′ | Humor | 77 % | 53 % | 65 % | 53 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Cast
Ddan Dda-ra
Ggal-chi
Geon-bbang
Meek Man
Teacher
Sick Lady
Stall Owner
Baseball Player
Singer
Details
- Directed by
- Sang-Jin Kim, Kim Sang-jin
- Written by
- Jeong-woo Park, Park Jung-woo
- Type
- Movies
- Released
- 1999
- Runtime
- 113 min
- Country
- South Korea
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





