Mad Love
2001 · 115 min · Director: Vicente Aranda
Show plot summary (may contain spoilers)
Juana is married off by her pious parents, the Catholic kings Ferndinand of Aragon and Isabella of Castille, to ally Spain, united by their marriage, to the Burgundian and other Habsburg heritage of archduke Maximilian's son Philip. When they meet, it's love at first sight, for her all-consuming, for him one of many happy bed partnerships as she later discovers. Deaths in her family soon make Juana Isabella's heir, but Ferdinand suggests she inherited her grandmother's madness and supports Philip's ambition to rule instead, which becomes the stakes of political maneuvering in the Cortes (nobility-dominated parliament). Combined with Philip's incurable infidelity, which includes a Moorish whore-princess, multiple drama is inevitable, and worse follows.
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Emotional fingerprint
Mad Love (2001) — Movie. Top emotional signals: Melancholy 32%, Love 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy32%
- Love25%
- Empathy20%
- Sadness13%
- Tension10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Love, Empathy. Genres: Drama, History, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Love and Empathy. Its IMDb rating of 6.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Empathy
- Tension
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Anxiety
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Tension | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Sadness | 60 % | 57 % | 18 % | 53 % |
| 7.5 % | ≈ 9′ | Empathy | 51 % | 41 % | 18 % | 33 % |
| 12.5 % | ≈ 14′ | Love | 51 % | 28 % | 18 % | 13 % |
| 17.5 % | ≈ 20′ | Love | 50 % | 25 % | 18 % | 9 % |
| 22.5 % | ≈ 26′ | Love | 51 % | 34 % | 31 % | 23 % |
| 27.5 % | ≈ 32′ | Tension | 70 % | 56 % | 57 % | 51 % |
| 32.5 % | ≈ 37′ | Sadness | 74 % | 63 % | 62 % | 58 % |
| 37.5 % | ≈ 43′ | Tension | 60 % | 50 % | 53 % | 39 % |
| 42.5 % | ≈ 49′ | Tension | 56 % | 41 % | 51 % | 28 % |
| 47.5 % | ≈ 55′ | Tension | 55 % | 34 % | 50 % | 20 % |
| 52.5 % | ≈ 60′ | Love | 53 % | 34 % | 49 % | 16 % |
| 57.5 % | ≈ 66′ | Tension | 50 % | 35 % | 48 % | 15 % |
| 62.5 % | ≈ 72′ | Love | 52 % | 39 % | 50 % | 20 % |
| 67.5 % | ≈ 78′ | Tension | 65 % | 50 % | 64 % | 33 % |
| 72.5 % | ≈ 83′ | Tension | 76 % | 54 % | 76 % | 38 % |
| 77.5 % | ≈ 89′ | Tension | 81 % | 56 % | 80 % | 38 % |
| 82.5 % | ≈ 95′ | Tension | 81 % | 63 % | 78 % | 40 % |
| 87.5 % | ≈ 101′ | Anxiety | 83 % | 70 % | 70 % | 58 % |
| 92.5 % | ≈ 106′ | Sadness | 83 % | 74 % | 48 % | 75 % |
| 97.5 % | ≈ 112′ | Sadness | 77 % | 68 % | 22 % | 73 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Almirante
Don Juan Manuel
Marqués de Villena
Marliano
Inés
Hernán
Mucama
Maria bambina
Lady (as Diana Costa)
Soldier
Details
- Directed by
- Vicente Aranda
- Written by
- Vicente Aranda, Antonio Larreta, Manuel Tamayo y Baus
- Type
- Movies
- Released
- 2001
- Runtime
- 115 min
- Country
- Spain, Italy, Portugal, France
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





