The Importance of Being Earnest
2002 · 97 min · Director: Oliver Parker, Oliver Parker
Show plot summary (may contain spoilers)
Two young gentlemen living in 1890's England use the same pseudonym ("Ernest") on the sly, which is fine until they both fall in love with women using that name, which leads to a comedy of mistaken identities...
Emotional fingerprint
The Importance of Being Earnest (2002) — Movie. Top emotional signals: Humor 45%, Love 20%, Surprise 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor45%
- Love20%
- Surprise15%
- Nostalgia10%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Love, Surprise. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Love and Surprise. Its IMDb rating of 6.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Love
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Curiosity
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Love | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 44 % | 42 % | 3 % | 30 % |
| 7.5 % | ≈ 7′ | Humor | 48 % | 46 % | 9 % | 33 % |
| 12.5 % | ≈ 12′ | Humor | 53 % | 50 % | 23 % | 28 % |
| 17.5 % | ≈ 17′ | Love | 51 % | 46 % | 30 % | 21 % |
| 22.5 % | ≈ 22′ | Humor | 49 % | 46 % | 23 % | 25 % |
| 27.5 % | ≈ 27′ | Humor | 52 % | 50 % | 25 % | 34 % |
| 32.5 % | ≈ 32′ | Humor | 53 % | 49 % | 26 % | 38 % |
| 37.5 % | ≈ 36′ | Humor | 52 % | 49 % | 14 % | 34 % |
| 42.5 % | ≈ 41′ | Humor | 51 % | 49 % | 18 % | 25 % |
| 47.5 % | ≈ 46′ | Humor | 54 % | 50 % | 39 % | 23 % |
| 52.5 % | ≈ 51′ | Love | 57 % | 53 % | 51 % | 28 % |
| 57.5 % | ≈ 56′ | Love | 58 % | 51 % | 43 % | 32 % |
| 62.5 % | ≈ 61′ | Humor | 59 % | 53 % | 25 % | 33 % |
| 67.5 % | ≈ 65′ | Humor | 60 % | 56 % | 24 % | 28 % |
| 72.5 % | ≈ 70′ | Humor | 56 % | 54 % | 30 % | 26 % |
| 77.5 % | ≈ 75′ | Humor | 57 % | 46 % | 24 % | 38 % |
| 82.5 % | ≈ 80′ | Curiosity | 63 % | 44 % | 23 % | 55 % |
| 87.5 % | ≈ 85′ | Curiosity | 65 % | 49 % | 35 % | 54 % |
| 92.5 % | ≈ 90′ | Relief | 58 % | 50 % | 35 % | 34 % |
| 97.5 % | ≈ 95′ | Humor | 48 % | 45 % | 22 % | 18 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Gribsby
Dowager
Young Lord Bracknell
Girl in Gambling Club
Dancer
Dancer
Dancer
Dancer
Dancer
Details
- Directed by
- Oliver Parker, Oliver Parker
- Written by
- Oliver Parker, Oscar Wilde, Oliver Parker
- Type
- Movies
- Released
- 2002
- Runtime
- 97 min
- Country
- United Kingdom, United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
Feels similar
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