Time Out
2001 · 134 min · Director: Laurent Cantet
Show plot summary (may contain spoilers)
Recently fired from his job, but unable to confess the truth to his close-knit family, Vincent spends his days driving around the countryside, talking into his cell phone and staring into space. Vincent fabricates a new job for himself so his family and friends will not know that he is out of work. At one point, he even sneaks into an office building. As Vincent roams the building's sterile halls, peeking into meeting rooms where men are busy at work, we see a man who yearns not just for a new job, but also for a place in the world. While this pantomime of work initially registers as sad and even a little pathetic, it slowly and unnervingly becomes terrifying.
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Emotional fingerprint
Time Out (2001) — Movie. Top emotional signals: Anxiety 35%, Confusion 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Confusion, Sadness. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Confusion and Sadness. Its IMDb rating of 7.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Anxiety
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Anxiety
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Anxiety | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 34 % | 23 % | 20 % | 21 % |
| 7.5 % | ≈ 10′ | Curiosity | 38 % | 29 % | 25 % | 22 % |
| 12.5 % | ≈ 17′ | Curiosity | 44 % | 38 % | 31 % | 27 % |
| 17.5 % | ≈ 23′ | Sadness | 47 % | 43 % | 36 % | 32 % |
| 22.5 % | ≈ 30′ | Tension | 44 % | 39 % | 34 % | 29 % |
| 27.5 % | ≈ 37′ | Sadness | 41 % | 36 % | 31 % | 25 % |
| 32.5 % | ≈ 44′ | Tension | 48 % | 43 % | 37 % | 25 % |
| 37.5 % | ≈ 50′ | Tension | 53 % | 49 % | 43 % | 27 % |
| 42.5 % | ≈ 57′ | Tension | 52 % | 48 % | 43 % | 31 % |
| 47.5 % | ≈ 64′ | Sadness | 59 % | 54 % | 51 % | 42 % |
| 52.5 % | ≈ 70′ | Anxiety | 66 % | 60 % | 59 % | 46 % |
| 57.5 % | ≈ 77′ | Tension | 61 % | 52 % | 49 % | 44 % |
| 62.5 % | ≈ 84′ | Sadness | 55 % | 42 % | 37 % | 43 % |
| 67.5 % | ≈ 90′ | Empathy | 55 % | 46 % | 41 % | 37 % |
| 72.5 % | ≈ 97′ | Tension | 62 % | 58 % | 53 % | 34 % |
| 77.5 % | ≈ 104′ | Tension | 69 % | 66 % | 61 % | 38 % |
| 82.5 % | ≈ 111′ | Tension | 76 % | 73 % | 68 % | 51 % |
| 87.5 % | ≈ 117′ | Tension | 84 % | 80 % | 76 % | 67 % |
| 92.5 % | ≈ 124′ | Sadness | 86 % | 80 % | 80 % | 74 % |
| 97.5 % | ≈ 131′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
le père de Vincent
la mère de Vincent
Philippe
le directeur des ressources humaines
Details
- Directed by
- Laurent Cantet
- Written by
- Laurent Cantet, Robin Campillo
- Type
- Movies
- Released
- 2001
- Runtime
- 134 min
- Country
- France
- Genres
- Drama
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





