Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack
2001 · 105 min · Director: Shûsuke Kaneko
Show plot summary (may contain spoilers)
Strange incidents occur when an American submarine has been destroyed by a mysterious force at sea off the shores of Guam. Only Admiral Tachibana was certain that behind the disaster was none other than the destructive King of the Monsters, Godzilla! 50 years after his attack on Tokyo in 1954, Godzilla has mysteriously returned to life to destroy Japan, and General Tachibana, whose parents died in the monster's destructive wake, was prepared for his return to protect Japan from yet another tragic disaster, but is dismissed by the overly confident Japanese government, who underestimate Godzilla's power. But to further prove Tachibana's claim, his daughter Yuri, who works for the TV news program "Digital Q," investigates strange phenomena in three separate areas in Japan (two of which involve the deaths of immoral youths), and meets a mysterious old man named Isayama, who proclaims that aside from his infamous nuclear origins, Godzilla is an accumulation of vengeful souls (of both Japanese and non-Japanese) abandoned to die in the Pacific War, and thus, mere weapons cannot kill him. While Tachibana has now been vindicated by the government, Isayama awakens the Three Sacred Guardian Beasts of Yamato, which protected Japan in its ancient past, and were then put into hibernation in the aforementioned three areas of Japan. The three monsters, King Ghidorah (sky), Mothra (water) and Baragon (earth), fight the ravaging Godzilla, while Tachibana also prepares to go into battle against his old radioactive nemesis . . .
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Emotional fingerprint
Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (2001) — Movie. Top emotional signals: Awe 30%, Fear 25%, Excitement 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Awe30%
- Fear25%
- Excitement20%
- Tension15%
- Inspiration10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Awe, Fear, Excitement. Genres: Drama, Adventure, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Awe, Fear and Excitement. Its IMDb rating of 7.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Fear
- Relief
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Hope
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Fear | Relief |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 54 % | 50 % | 37 % | 0 % |
| 7.5 % | ≈ 8′ | Tension | 55 % | 50 % | 39 % | 1 % |
| 12.5 % | ≈ 13′ | Tension | 51 % | 46 % | 34 % | 3 % |
| 17.5 % | ≈ 18′ | Tension | 50 % | 45 % | 30 % | 1 % |
| 22.5 % | ≈ 24′ | Tension | 58 % | 54 % | 43 % | 0 % |
| 27.5 % | ≈ 29′ | Tension | 65 % | 61 % | 53 % | 0 % |
| 32.5 % | ≈ 34′ | Tension | 70 % | 66 % | 56 % | 0 % |
| 37.5 % | ≈ 39′ | Tension | 75 % | 71 % | 63 % | 0 % |
| 42.5 % | ≈ 45′ | Tension | 77 % | 74 % | 64 % | 0 % |
| 47.5 % | ≈ 50′ | Tension | 75 % | 71 % | 56 % | 1 % |
| 52.5 % | ≈ 55′ | Tension | 69 % | 66 % | 49 % | 3 % |
| 57.5 % | ≈ 60′ | Tension | 70 % | 66 % | 48 % | 4 % |
| 62.5 % | ≈ 66′ | Hope | 72 % | 68 % | 44 % | 5 % |
| 67.5 % | ≈ 71′ | Tension | 78 % | 74 % | 48 % | 3 % |
| 72.5 % | ≈ 76′ | Tension | 84 % | 80 % | 54 % | 1 % |
| 77.5 % | ≈ 81′ | Tension | 84 % | 80 % | 53 % | 4 % |
| 82.5 % | ≈ 87′ | Tension | 86 % | 83 % | 58 % | 13 % |
| 87.5 % | ≈ 92′ | Tension | 88 % | 75 % | 53 % | 40 % |
| 92.5 % | ≈ 97′ | Relief | 77 % | 51 % | 31 % | 60 % |
| 97.5 % | ≈ 102′ | Relief | 58 % | 35 % | 18 % | 52 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
SDF Adm. Taizô Tachibana
Teruaki Takeda
SDF L:t. Gen. Katsumasa Mikumo
SDF Intelligence Maj. Tokihiko Kobayakawa
Adjutant Miyashita
Godzilla
King Ghidorah
Details
- Directed by
- Shûsuke Kaneko
- Written by
- Shûsuke Kaneko, Keiichi Hasegawa, Masahiro Yokotani, Masahiro Yokotani
- Type
- Movies
- Released
- 2001
- Runtime
- 105 min
- Country
- Japan
- Ratings
- Feels mostly
- Awe
- Data updated
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