Wasabi
2001 · 94 min · Director: Gérard Krawczyk
Show plot summary (may contain spoilers)
Hubert is a French policeman with very sharp methods. After being forced to take 2 months off by his boss, who doesn't share his view on working methods, he goes back to Japan, where he used to work 19 years ago, to settle the probate of his girlfriend who left him shortly after marriage without a trace. There he mets his former colleague Momo and his daughter Yumi who he did not know was ever born. Hubert eventually finds out why his girlfriend left him and the reason becomes his and his new daughters problem.
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Emotional fingerprint
Wasabi (2001) — Movie. Top emotional signals: Humor 35%, Excitement 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Excitement25%
- Love20%
- Surprise10%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Excitement, Love. Genres: Comedy, Crime, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Excitement and Love. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Curiosity
- Humor
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Curiosity | Humor | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 39 % | 27 % | 37 % | 22 % |
| 7.5 % | ≈ 7′ | Humor | 41 % | 21 % | 39 % | 26 % |
| 12.5 % | ≈ 12′ | Humor | 47 % | 21 % | 33 % | 26 % |
| 17.5 % | ≈ 16′ | Sadness | 53 % | 29 % | 28 % | 18 % |
| 22.5 % | ≈ 21′ | Humor | 53 % | 38 % | 34 % | 14 % |
| 27.5 % | ≈ 26′ | Curiosity | 51 % | 45 % | 33 % | 16 % |
| 32.5 % | ≈ 31′ | Sadness | 52 % | 44 % | 30 % | 18 % |
| 37.5 % | ≈ 35′ | Sadness | 54 % | 40 % | 35 % | 18 % |
| 42.5 % | ≈ 40′ | Humor | 54 % | 46 % | 38 % | 24 % |
| 47.5 % | ≈ 45′ | Curiosity | 59 % | 55 % | 36 % | 39 % |
| 52.5 % | ≈ 49′ | Tension | 60 % | 48 % | 40 % | 46 % |
| 57.5 % | ≈ 54′ | Humor | 55 % | 33 % | 46 % | 43 % |
| 62.5 % | ≈ 59′ | Humor | 54 % | 35 % | 36 % | 45 % |
| 67.5 % | ≈ 63′ | Curiosity | 56 % | 44 % | 26 % | 51 % |
| 72.5 % | ≈ 68′ | Humor | 62 % | 43 % | 34 % | 57 % |
| 77.5 % | ≈ 73′ | Tension | 68 % | 44 % | 34 % | 59 % |
| 82.5 % | ≈ 78′ | Sadness | 70 % | 45 % | 23 % | 55 % |
| 87.5 % | ≈ 82′ | Tension | 69 % | 33 % | 23 % | 50 % |
| 92.5 % | ≈ 87′ | Love | 65 % | 18 % | 32 % | 35 % |
| 97.5 % | ≈ 92′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Irène
Olivier
Betty
Josy
Ishibashi
Van Eyck
Del Rio
Customs officer
Customs officer
Son of the Prefect
Jean Baptiste 2
Secretary of the Banque de la Trinité
Details
- Directed by
- Gérard Krawczyk
- Written by
- Luc Besson
- Type
- Movies
- Released
- 2001
- Runtime
- 94 min
- Country
- France, Japan
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
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